· Public charity
Southeast Community Capital Corporation D/B/A Pathway Lending
To provide lending solutions and educational services which support the development, growth, and preservation of underserved small businesses, affordable housing, and sustainable communities.
What you funded, over time
By grantee IRS cause code (NTEE).
A cause breakdown isn’t shown here: 88% of SOUTHEAST COMMUNITY CAPITAL CORPORATION D/B/A PATHWAY LENDING’s grantee dollars fall outside its nine largest cause areas, whether because the recipient carries no IRS cause code or because its cause sits in the long tail. A chart would be mostly one residual band and misrepresent the portfolio.
Where the money goes
Your grants by size, and where they go.
The 1 grants below total $5,250 — the rows itemised in this filing. The $6,884,156 headline is the total grant expense reported on the return, so the remaining $6,878,906 is giving the schedule does not break out: grants under the $5,000 itemisation floor, grants to individuals, and grants reported on other schedules. Every figure below describes the itemised rows only.
| Recipient | Amount |
|---|---|
| STORY EMERGENT AMBULATORY TRANSPORTATION LLC | $5,250 |
Do your dollars go where the need is?
Each grant placed by the hardship in its grantee’s ZIP, then read against the area’s typical level.
Your human-services grants (FY20–20, $20k) land where the poverty rate runs at 14%, against an area that typically sits at 11%. 100% of those dollars go to grantees based in above-average-need neighborhoods. Most of your grants land in higher-need ZIPs.
Matched: human-services grants are those whose grantee’s IRS cause code is Human Services. Placed by people below the poverty linein the grantee’s ZIP, averaged from the tracts in that ZIP; grantee ZIP can differ from where services are delivered.
US grants placed by each grantee’s ZIP, which can differ from where services are actually delivered. Need from public data — U.S. Census/ACS, CDC PLACES, Eviction Lab, USDA — shown as context about the area, never attributed to your giving.
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
36 repeat relationships — 0 still active in FY2024, 36 since wound down; 1 grantees were first funded in FY2024 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Still filing today
New vs renewed · share of each year
In FY2024, 0% of grant dollars renewed an existing relationship; $5k went to new ones.
Where new relationships form · theme of each grantee’s first grant
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.” Theme is the grantee’s IRS cause.
Backed again, and grew
- B2BUCANAS 2009 INC2× · 2020–2022 · $101k
- DCDRKMTTR COLLECTIVE LLC2× · 2020–2022 · $46k
- EAENCIRCLE ACUPUNCTURE2× · 2020–2022 · $45k
Funded once
- MLMERCY LOUNGE LLCone grant, 2020 · $147k
- JGJT GRAY ENTERPRISES INCone grant, 2020 · $100k
- TLTHE LISTENING ROOM LLCone grant, 2020 · $100k
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent IRS filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
Girls write nashville empowers expression through songwriting, production, mentorship and creative community for teen artists. we are an artist and educator-led 501(c)(3) creative youth development program in nashville, tn allied with…
Know Theatre is a small professional theatre showcasing voices, new works, & plays that embrace the inherent theatricality of the live experience. Know Theatre seeks to be a place where artists and audiences feel welcome to take artistic…
MUSE is an inclusive and feminist choral community advocating for peace and social justice. We unite our voices to raise awareness and inspire change in ourselves, our audiences, and our world through partnerships that honor the humanity…
To create compelling musicals, plays, concerts and experiences through artful storytelling and innovative design, and to cultivate a meaningful understanding and appreciation of the artistic process in performers and audiences of all ages…
The tennessee williams theatre company of new orleans is a year-round professional theatre company committed to producing captivating, exciting, and moving plays with a major focus on the works of america's greatest playwright, tennessee…
The nashville songwriters association international (nsai) consists of a body of creative minds, including songwriters from all genres of music, professional and amateur, who are committed to protecting the rights and future of the…
To produce plays and encourage the arts by performance and educational programs.
TexARTS is an arts education and performance destination that builds character, professionalism, and careers. Its mission is to cultivate a thriving arts community by exposing all people to the visual and performing arts. TexARTS prepares…
Providing paid opportunities for Houston based singers.
To inspire and enchant lives through a variety of theatrical experiences at the highest level of artistic excellence with our Resident Acting Company at the center
For reference, the grantee most central to the portfolio’s shape is Nashville Repertory Theatre Inc and the most unlike its peers is New Dialect. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
Your grantees are a median of 21 years old; the field is 12. You back the established end — and your money leans older still.
The field is 25% startups (under 5 years old) — 0% of your grantees by number, and just 0% of your money.
The orgs you fund almost never close — 0.2% lost their exemption, against 15% of the field you don’t fund.
Age = years since IRS exemption (a founding proxy). “Closed” = auto-revocation for 3 years of non-filing — a floor on closure, not proof, and bigger established orgs lapse least. Association, not causation.
44 grantees tracked through their own filings, 2017–2025.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2025, not grant rows in a single year — so this will not match the grant count on the cover. 44 of the 560 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Where your money sits — by cause, then by grantee
Showing your 200 largest grantees by grant value.
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds COUNTRY MUSIC FOUNDATION INC ↗
- Who funds Nashville Symphony Association ↗
- Who funds NASHVILLE BALLET ↗
- Who funds THE NATIONAL MUSEUM OF AFRICAN AMERICAN MUSIC ↗
- Who funds CHEEKWOOD BOTANICAL GARDEN AND MUSEUM OF ART ↗
- Who funds FRIST ART MUSEUM ↗
- Who funds TENNESSEE PERFORMING ARTS CENTER (TPAC) MANAGEMENT CORPORATION ↗
- Who funds NASHVILLE REPERTORY THEATRE INC ↗
- Who funds BELCOURT THEATRE INC ↗
- Who funds OZ ARTS INC ↗
- Who funds NASHVILLE OPERA ASSOCIATION ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: The Frist Foundation · The Steven & Laurie Eskind Family Foundation · Memorial Foundation Inc · Hca Healthcare Foundation · Washington Foundation · Vanderbilt University · Gibson Gives Foundation Dba Gibson Gives · The Danner Foundation · Dettwiller Foundation · Doochin Family Charitable Foundation · Enchiridion Foundation · Sandra Schatten Foundation
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.
Government reliance of your grantees
Every dot is one organization Southeast Community Capital Corporation D/B/A Pathway Lending funds. Left–right is the share of its income from government; up–down is the share from you. Bigger dots raise more. Filter to federal or a single department — and drag the year to watch it move.
Government income is each org’s traced federal awards (USASpending — grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check: a grantee that reports government grants we could not trace to a source is left off the chart rather than shown as receiving none. An association, not a claim that your grant caused the public funding. Coverage is precision-first — a floor, not a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12–24 months.