· Private foundation
Sage Foundation
Its FY2025 filing reports that it accepted unsolicited grant applications.
What you funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year — across FY2017–2025.
Where the money goes
Your grants by size, and where they go.
By grant size · FY2025
- Under $10k17 grants · $97k
- $10k–50k43 grants · $767k
- $50k–250k8 grants · $768k
| Recipient | Amount |
|---|---|
| Hillsdale College | $200,000 |
| Ravinia Festival | $120,000 |
| Joffrey Ballet | $100,000 |
| Grant Park Orchestral Association | $100,000 |
| Window to the World Communications Inc | $95,000 |
| AfterImage Public Media | $52,500 |
| Lenawee Chamber Foundation | $50,000 |
| Orchestral Association Chicago Symphony Orchestra | $50,000 |
| Marian Catholic High School | $35,000 |
| Big Shoulders Fund | $30,000 |
| District 64 Band and Orchestra Parents Association - Lincoln Middle School | $25,000 |
| Window to the World Communications Inc | $25,000 |
| Orchestral Association Chicago Symphony Orchestra | $25,000 |
| Cedille Chicago NFP | $25,000 |
| Alphonsus Academy & Center for the Arts | $25,000 |
Do your dollars go where the need is?
Each grant placed by the hardship in its grantee’s ZIP, then read against the area’s typical level.
Your human-services grants (FY22–25, $330k) land where the poverty rate runs at 12%, against an area that typically sits at 10%. 83% of those dollars go to grantees based in above-average-need neighborhoods. Most of your grants land in higher-need ZIPs.
Matched: human-services grants are those whose grantee’s IRS cause code is Human Services. Placed by people below the poverty linein the grantee’s ZIP, averaged from the tracts in that ZIP; grantee ZIP can differ from where services are delivered.
Which US states your grants reach
US grants placed by each grantee’s ZIP, which can differ from where services are actually delivered. Need from public data — U.S. Census/ACS, CDC PLACES, Eviction Lab, USDA — shown as context about the area, never attributed to your giving.
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
And the relationships you keep tend to grow: grantees you re-up on have seen median revenue of +22% since the first grant, against +6% for the ones you funded once.
78 repeat relationships — 55 still active in FY2025, 23 since wound down; 7 grantees were first funded in FY2025 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2025, 95% of grant dollars renewed an existing relationship; $78k went to new ones.
Where new relationships form · theme of each grantee’s first grant
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.” Theme is the grantee’s IRS cause.
Backed again, and grew
- WTWINDOW TO THE WORLD COMMUNICATIONS INC5× · 2019–2025 · $1.5M · revenue +19%
- GPGRANT PARK ORCHESTRAL ASSOCIATION5× · 2019–2025 · $575k · revenue +95%
- TJTHE JOFFREY BALLET4× · 2022–2025 · $440k · revenue +38%
Funded once
- COCROSWELL OPERA HOUSE & FINE ARTS ASSOCIATIONgraduatedone grant, 2019 · $250k · revenue +38%
- AOArchdiocese of Chicago Catholic Schoolsone grant, 2019 · $200k
- SESt. Elizabeth Catholic Churchone grant, 2019 · $128k
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent IRS filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
Presenting free high-quality classical music performances and music education experiences in the Chicago metropolitan area for people of all ages and degrees of musical awareness so they can experience how music enriches life.
The chicago high school for the arts (chiarts) develops the next generation of diverse, artistically promising scholar-artists through intensive pre-professional training in the arts, combined with a comprehensive college preparatory…
Illinois college is a co-educational institution of higher education learning providing a four-year educational program leading to the baccalaureate degree. illinois college is a community committed to the highest standards of scholarship…
Illinois Philharmonic Orchestra's mission as a professional orchestra is to utilize the universal expression of music to create profound, inspiring, and personal connections between the people and communities of Chicagos Southland.
Chicago opera theater expands the tradition of opera as a living art form by engaging lovers of music and storytelling through innovative experiences, predominantly of new and rarely performed works.
The Auditorium Theatre of Roosevelt University ("The Auditorium"), an Illinois not-for-profit corporation, is committed to presenting the finest in international, cultural, community and educational programming to Chicago and to the…
The organization's mission is to educate students for creative occupations in diverse fields of arts and media.
The chicago academy for the arts transforms emerging artists through a curriculum and culture which connect intellectual curiosity, critical thinking, and creativity to impart the skills to lead and collaborate across diverse communities.
The chicago psychoanalytic institute transforms the lives of individuals, families and communities, using psychoanalytic knowledge to help them grow and thrive.
The chicago theatre group is committed to producing both classic and contemporary works giving full voice to a wide range of artists and visions. by dedicating itself to three guiding principles - quality, equity, and community - the…
To excite, engage, and transform diverse audiences with the beauty and power of music.
For reference, the grantee most central to the portfolio’s shape is Grant Park Orchestral Association and the most unlike its peers is Park Ridge Fine Arts Society. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
For each theme you fund, this compares how the sector’s money is shifting with how your own giving is shifting.
Sector change and giving change are each shown relative to their own range, growing (right) or shrinking (left); both normalized, so inflation isn’t mistaken for growth.
Your grantees are a median of 39 years old; the field is 17. You back the established end — and your money leans older still.
The field is 21% startups (under 5 years old) — 0% of your grantees by number, and just 0% of your money.
The orgs you fund almost never close — 0.0% lost their exemption, against 15% of the field you don’t fund.
Age = years since IRS exemption (a founding proxy). “Closed” = auto-revocation for 3 years of non-filing — a floor on closure, not proof, and bigger established orgs lapse least. Association, not causation.
92 grantees tracked through their own filings, 2017–2026.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2026, not grant rows in a single year — so this will not match the grant count on the cover. 92 of the 143 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Where your money sits — by cause, then by grantee
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds WINDOW TO THE WORLD COMMUNICATIONS INC ↗
- Who funds HILLSDALE COLLEGE ↗
- Who funds GRANT PARK ORCHESTRAL ASSOCIATION ↗
- Who funds THE JOFFREY BALLET ↗
- Who funds LENAWEE CHAMBER FOUNDATION ↗
- Who funds ADRIAN COLLEGE ↗
- Who funds RAVINIA FESTIVAL ASSOCIATION ↗
- Who funds CROSWELL OPERA HOUSE & FINE ARTS ASSOCIATION ↗
- Who funds THE ART INSTITUTE OF CHICAGO ↗
- Who funds Big Shoulders Fund ↗
- Who funds Lyric Opera of Chicago ↗
- Who funds SAND LAKE VOLUNTEER FIRE DEPARTMENT ↗
- Who funds KARTEMQUIN EDUCATIONAL FILMS ↗
- Who funds BOYS & GIRLS CLUB OF LENAWEE INC ↗
- Who funds Genesis International Orphanage Foundation ↗
- Who funds Habitat for Humanity of Lenawee County ↗
- Who funds Providence St Mel School ↗
- Who funds CEDILLE CHICAGO NFP ↗
- Who funds Bulletin of the Atomic Scientists ↗
- Who funds MERIT SCHOOL OF MUSIC ↗
- Who funds SHEDD AQUARIUM SOCIETY ↗
- Who funds HOPE COMMUNITY CENTER INC ↗
- Who funds LIFELINE INC ↗
- Who funds THE NIGHT MINISTRY ↗
- Who funds AFTERIMAGE PUBLIC MEDIA ↗
- Who funds LENAWEE COUNTY EDUCATION FOUNDATION ↗
- Who funds AMERICAN THEATRE WING INC ↗
- Who funds HADLEY INSTITUTE FOR THE BLIND AND VISUALLY IMPAIRED ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a loosely connected circle, clustered around a few shared anchors.
Open a dossier: Farver Foundation · The Chicago Community Trust · Lenawee Community Foundation · Premier Bank Foundation · Douglas and Mary Kapnick Family Foundation · John D and Catherine T Macarthur Foundation · The S L Hickman Family Foundation · George M Eisenberg Foundation for Charities · Dr Scholl Foundation · Tlc Community Credit Union · Consumers Energy Foundation · Jewish Federation of Metropolitan Chicago
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.
Government reliance of your grantees
Every dot is one organization Sage Foundation funds. Left–right is the share of its income from government; up–down is the share from you. Bigger dots raise more. Filter to federal or a single department — and drag the year to watch it move.
- The Center for Independent Documentary Inc — 6% of income from government
Government income is each org’s traced federal awards (USASpending — grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check: a grantee that reports government grants we could not trace to a source is left off the chart rather than shown as receiving none. An association, not a claim that your grant caused the public funding. Coverage is precision-first — a floor, not a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12–24 months.