· Private foundation
Lester and Phyllis Epstein Foundation Inc
Its FY2024 filing reports that it funds preselected organizations and did not take unsolicited requests; check the foundation's own site before ruling it out.
What you funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year — across FY2020–2024.
Where the money goes
Your grants by size, and where they go.
By grant size · FY2024
- Under $10k21 grants · $86k
- $10k–50k5 grants · $80k
| Recipient | Amount |
|---|---|
| Kingston Land Trust Inc | $40,000 |
| Asian Counseling and Referral Services | $10,000 |
| Hudson River Watershed Alliance | $10,000 |
| Maya Gold Foundation | $10,000 |
| Wing Luke Museum | $10,000 |
| Living Traditions | $7,500 |
| Scenic Hudson | $5,000 |
| Riverkeeper | $5,000 |
| Individual grant recipient | $5,000 |
| Threadhead Cultural Foundation | $5,000 |
| Friends of Historic Kingston | $5,000 |
| YMCA of Kingston and Ulster County | $5,000 |
| Land Trust Alliance | $5,000 |
| Jack Straw Foundation | $4,000 |
| Spectrum Dance Theatre | $4,000 |
Do your dollars go where the need is?
Each grant placed by the hardship in its grantee’s ZIP, then read against the area’s typical level.
Your human-services grants (FY20–24, $75k) land where the poverty rate runs at 11%, against an area that typically sits at 11%. 33% of those dollars go to grantees based in above-average-need neighborhoods. Your grants skew toward lower-need ZIPs.
Matched: human-services grants are those whose grantee’s IRS cause code is Human Services. Placed by people below the poverty linein the grantee’s ZIP, averaged from the tracts in that ZIP; grantee ZIP can differ from where services are delivered.
US grants placed by each grantee’s ZIP, which can differ from where services are actually delivered. Need from public data — U.S. Census/ACS, CDC PLACES, Eviction Lab, USDA — shown as context about the area, never attributed to your giving.
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
And the relationships you keep tend to grow: grantees you re-up on have seen median revenue of +31% since the first grant, against +23% for the ones you funded once.
31 repeat relationships — 26 still active in FY2024, 5 since wound down.
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2024, 100% of grant dollars renewed an existing relationship; $0 went to new ones.
Where new relationships form · theme of each grantee’s first grant
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.” Theme is the grantee’s IRS cause.
Backed again, and grew
- KLKingston Land Trust Inc5× · 2020–2024 · $214k · revenue +87%
- MGMAYA GOLD FOUNDATION5× · 2020–2024 · $50k · revenue +109%
WING LUKE MEMORIAL FOUNDATION5× · 2020–2024 · $50k · revenue +48%
Funded once
- BCBENNINGTON COLLEGE CORPORATIONone grant, 2020 · $10k · revenue +23%
- GVGreenwich Village Society for Historic Presone grant, 2020 · $5k
- SRSEATTLE REPERTORY THEATER FOUNDATIONgraduatedone grant, 2020 · $4k · revenue +569%
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent IRS filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
Artist Trust supports the livelihoods of artists working in all disciplines to create a more vibrant and equitable Washington State.
On the Boards' mission is to invest in leading contemporary performing artists near and far and connect them to a diverse range of communities interested in forward-thinking art and ideas.
To produce and promote west seattle's premier summer arts showcase on alki beach. our goal is to advance art education and appreciation while encouraging community involvement and cultural diversity for the community's benefit.
The Fremont Arts Council (FAC) is a Seattle-based community arts organization founded in 1979. The FAC cultivates creativity, celebration, and belonging by engaging people of all backgrounds as active participants in the arts. We produce…
Artists repertory theatre's mission is to produce intimate, provacative theatre and provide a home for a diverse community of artists and audiences to take creative risks.
The Mountains to Sound Greenway Trust leads and inspires action to conserve and enhance the landscape of the Mountains to Sound Greenway, ensuring a long-term balance between people and nature.
The mission of the Whatcom Land Trust is to preserve and protect wildlife habitat, scenic, agricultural and open space lands in Whatcom County for future generations by securing interests in land and promoting land stewardship.
The Mount Baker Theatre Organization enriches our region's culture through dynamic performances and arts education, inspiring engagement in the community, and stewardship of a national historic treasure.
The shakespeare theatre company creates, preserves and promotes classic theatre-ambitious, enduring plays with universal themes-for all audiences. through the creation of provocative, imaginative, and accessible theatre, stc ignites a…
For reference, the grantee most central to the portfolio’s shape is Seattle Repertory Theatre and the most unlike its peers is Maya Gold Foundation. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
Your grantees are a median of 44 years old; the field is 18. You back the established end — and your money leans older still.
The field is 19% startups (under 5 years old) — 0% of your grantees by number, and just 0% of your money.
The orgs you fund almost never close — 3% lost their exemption, against 10% of the field you don’t fund.
Age = years since IRS exemption (a founding proxy). “Closed” = auto-revocation for 3 years of non-filing — a floor on closure, not proof, and bigger established orgs lapse least. Association, not causation.
31 grantees tracked through their own filings, 2017–2025.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2025, not grant rows in a single year — so this will not match the grant count on the cover. 31 of the 36 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Where your money sits — by cause, then by grantee
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds Kingston Land Trust Inc ↗
- Who funds MAYA GOLD FOUNDATION ↗
- Who funds WING LUKE MEMORIAL FOUNDATION ↗
- Who funds ASIAN COUNSELING AND REFERRAL SERVICE ↗
- Who funds HUDSON RIVER WATERSHED ALLIANCE INC ↗
- Who funds LAND TRUST ALLIANCE INC ↗
- Who funds RIVERKEEPER INC ↗
- Who funds Scenic Hudson Inc ↗
- Who funds FRIENDS OF HISTORIC KINGSTON ↗
- Who funds THE YOUNG MEN'S CHRISTIAN ASSOCIATI OF KINGSTON AND ULSTER COUNTY ↗
- Who funds LIVING TRADITIONS INC ↗
- Who funds SEATTLE ART MUSEUM ↗
- Who funds SEATTLE THEATRE GROUP ↗
- Who funds Bike Works Seattle ↗
- Who funds A CONTEMPORARY THEATRE INC ↗
- Who funds OREGON SHAKESPEARE FESTIVAL ASSOCIATION INC ↗
- Who funds Jack Straw Foundation ↗
- Who funds Spectrum Dance Theater ↗
- Who funds SEATTLE REPERTORY THEATRE ↗
- Who funds INTIMAN THEATRE ↗
- Who funds Woodstock Land Conservancy Inc ↗
- Who funds RONDOUT-ESOPUS LAND CONSERVANC ↗
- Who funds Threadhead Cultural Foundation ↗
- Who funds BENNINGTON COLLEGE CORPORATION ↗
- Who funds REACT THEATRE ↗
- Who funds WALLKILL VALLEY LAND TRUST ↗
- Who funds SEATTLE REPERTORY THEATER FOUNDATION ↗
- Who funds Tacoma Art Museum ↗
- Who funds BELLEVUE ART MUSEUM ↗
- Who funds HUDSON RIVER MARITIME MUSEUM ↗
- Who funds Arts Society of Kingston Inc ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: Artsfund · Seattle Foundation · Puget Sound Energy Foundation · Wyman Youth Trust · Ash Family Foundation · Alhadeff Family Charitable Foundation · Community Foundations of the Hudson Valley Inc · The Norcliffe Foundation · M J Murdock Charitable Trust · The Newcombe Foundation · Kvistad Foundation · The Conru Foundation
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.
Government reliance of your grantees
Every dot is one organization Lester and Phyllis Epstein Foundation Inc funds. Left–right is the share of its income from government; up–down is the share from you. Bigger dots raise more. Filter to federal or a single department — and drag the year to watch it move.
- Oregon Shakespeare Festival Association Inc — 0% of income from government
- Bennington College Corporation — 0% of income from government
Government income is each org’s traced federal awards (USASpending — grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check: a grantee that reports government grants we could not trace to a source is left off the chart rather than shown as receiving none. An association, not a claim that your grant caused the public funding. Coverage is precision-first — a floor, not a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12–24 months.
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Each link is a name appearing on two organizations’ public IRS 990 filings, matched on that name and, where the filings support it, on location. A same-state match has geographic support, which is a second matching feature rather than confirmation that the two are one person; a cross-state one is the likeliest to be two people who share a name. Every hop shows its tier, low-confidence and distant paths are held back rather than guessed, and it is worth confirming the person before you use the introduction.