· Public charity
Lane Arts Council
LANE ARTS COUNCIL cultivates belonging, learning, and investment to engage all of lane county in the transformative power of the arts.
What you funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year — across FY2019–2023.
Where the money goes
Your grants by size, and where they go.
The 1 grants below total $5,375 — the rows itemised in this filing. The $66,173 headline is the total grant expense reported on the return, so the remaining $60,798 is giving the schedule does not break out: grants under the $5,000 itemisation floor, grants to individuals, and grants reported on other schedules. Every figure below describes the itemised rows only.
| Recipient | Amount |
|---|---|
| DANCEABILITY INTERNATIONAL | $5,375 |
Do your dollars go where the need is?
Each grant placed by the hardship in its grantee’s ZIP, then read against the area’s typical level.
Dollar for dollar, your grants (FY19–23) land where the poverty rate runs at 15%, against an area that typically sits at 14%. 100% of your dollars go to grantees based in above-average-need neighborhoods. Most of your grants land in higher-need ZIPs.
Matched: human-services grants are those whose grantee’s IRS cause code is Human Services. Placed by people below the poverty linein the grantee’s ZIP, averaged from the tracts in that ZIP; grantee ZIP can differ from where services are delivered.
US grants placed by each grantee’s ZIP, which can differ from where services are actually delivered. Need from public data — U.S. Census/ACS, CDC PLACES, Eviction Lab, USDA — shown as context about the area, never attributed to your giving.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
We give concerts, workshops and online music classes.
The mission for the central oregon center for the arts is to champion an inclusive, vibrant center for the arts that brings transformative and diverse cultural performances and experiences to central oregon during all seasons
The mission of opera theater oregon is to create, develop, and produce new operatic work, with an emphasis on projects that engage the community on issues of environment and social justice. with an emphasis on contemporary music and…
Organization dedicated to the advancement of The Performing Arts
Philharmonia Northwest contributes to the vitality of the classical music community in the Pacific Northwest by presenting professional concerts highlighting the diverse past and present repertoire for chamber orchestra. It is also…
Cascadia Chamber Opera is dedicated to making exceptional and imaginative opera accessible to audiences throughout the Pacific Northwest.
Gather diverse and talented musicians, professionals and amateurs, to curate and perform orchestral repertoire that uplifts, inspires, and celebrates live performances, as well as offer educational activities concerning music.
Oregon Music Festival's mission is the performance, production, and promotion of classical music through orchestral, choral/orchestra, and chamber music.
Enlivening, strengthening, and connecting communities by creating immersive classical music experiences for everyone
Music & arts performances
To promote the arts in wallowa county, oregon.
For reference, the grantee most central to the portfolio’s shape is Eugene Ballet Company and the most unlike its peers is Grupo Latino De Accion Directa. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
Your grantees are a median of 31 years old; the field is 19. You back the established end — and your money leans older still.
The field is 20% startups (under 5 years old) — 0% of your grantees by number, and just 0% of your money.
The orgs you fund almost never close — 4% lost their exemption, against 11% of the field you don’t fund.
Age = years since IRS exemption (a founding proxy). “Closed” = auto-revocation for 3 years of non-filing — a floor on closure, not proof, and bigger established orgs lapse least. Association, not causation.
43 grantees tracked through their own filings, 2017–2025.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2025, not grant rows in a single year — so this will not match the grant count on the cover. 43 of the 51 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Where your money sits — by cause, then by grantee
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds Eugene Symphony Association Inc ↗
- Who funds EUGENE BALLET COMPANY ↗
- Who funds EUGENE SCIENCE CENTER ↗
- Who funds EUGENE OPERA ↗
- Who funds CASCADES RAPTOR CENTER ↗
- Who funds FRIENDS OF BUFORD PARK AND MT PISGAH ↗
- Who funds BALLET FANTASTIQUE ↗
- Who funds OREGON MOZART PLAYERS ↗
- Who funds UPSTART CROW STUDIOS ↗
- Who funds MAINSTAGE THEATRE COMPANY ↗
- Who funds CHAMBER MUSIC AMICI ↗
- Who funds UNIVERSITY OF OREGON FOUNDATION ↗
- Who funds JOINT FORCES DANCE COMPANY ↗
- Who funds LANE COUNTY MEDICAL SOCIETY ↗
- Who funds Wordcrafters in Eugene ↗
- Who funds The Very Little Theater Inc ↗
- Who funds EUGENE CONCERT CHOIR ↗
- Who funds ADVENTURE CHILDRENS MUSEUM ↗
- Who funds OREGON CHILDREN'S CHOIR ↗
- Who funds CHILDREN'S REPERTORY OF OR WORKSHOPS INC (CROW) ↗
- Who funds ARCHAEOLOGICAL LEGACY INSTITUTE ↗
- Who funds MAUDE KERNS ART CENTER ↗
- Who funds ORCHESTRA NEXT ↗
- Who funds DITCH PROJECTS ↗
- Who funds XCAPE DANCE COMPANY ↗
- Who funds Festival Chorale Oregon ↗
- Who funds EUGENE SPRINGFIELD YOUTH ORCHESTRAS ↗
- Who funds Applegate Regional Theater Inc ↗
- Who funds OREGON AVIATION HISTORICAL SOCIETY ↗
- Who funds ROSE CHILDREN'S THEATRE ↗
- Who funds OPAL CENTER FOR ARTS AND EDUCATION ↗
- Who funds KUTSINHIRA CULTURAL ARTS CENTER ↗
- Who funds GRUPO LATINO DE ACCION DIRECTA ↗
- Who funds MUSIC EDUCATION & PERFORMING ARTISTS ASSOCIATION ↗
- Who funds LANE COUNTY HISTORICAL SOCIETY ↗
- Who funds EMERALD EMPIRE ART ASSOCIATION INC ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: The Oregon Community Foundation · James F & Marion L Miller Foundation · Chambers Family Foundation · The Autzen Foundation · The Woodard Family Foundation · The Haugland Family Foundation Fka Rosaria P Haugland Foundation · Marie Lamfrom Charitable Foundation Trust · The Ford Family Foundation · Reed Family Foundation Inc · Larson Family Foundation · The EvansKabush Family Foundation · The Sanford Foundation
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.
Government reliance of your grantees
Every dot is one organization Lane Arts Council funds. Left–right is the share of its income from government; up–down is the share from you. Bigger dots raise more. Filter to federal, a single department, or state — and drag the year to watch it move.
- Lane County Medical Society — 100% of income from government
- Shelton-McMurphey Johnson Associate — 22% of income from government
- Friends of Buford Park and Mt Pisgah — 14% of income from government
- Wordcrafters in Eugene — 6% of income from government
- Orchestra Next — 5% of income from government
- Lane County Historical Society — 5% of income from government
- Oregon Contemporary Theatre — 5% of income from government
- Festival Chorale Oregon — 4% of income from government
- Arts & Business Alliance of Eugene — 4% of income from government
- Applegate Regional Theater Inc — 4% of income from government
- Eugene Springfield Youth Orchestras — 4% of income from government
- Eugene Symphony Association Inc — 2% of income from government
- Oregon Children's Choir — 2% of income from government
- Delgani String Quartet — 2% of income from government
- Ballet Fantastique — 2% of income from government
- Chamber Music Amici — 1% of income from government
- Eugene Concert Choir — 1% of income from government
- Oregon Aviation Historical Society — 0% of income from government
Government income is each org’s traced federal awards (USASpending — grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check: a grantee that reports government grants we could not trace to a source is left off the chart rather than shown as receiving none. An association, not a claim that your grant caused the public funding. Coverage is precision-first — a floor, not a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12–24 months.
Warm introductions · Powered by PlinthPlus
How do I get to Lane Arts Council?
Find your warmest path to Lane Arts Council through trustees and officers whose names appear on both boards. Search for your organization and Plinth traces the shortest route it can evidence.
Each link is a name appearing on two organizations’ public IRS 990 filings, matched on that name and, where the filings support it, on location. A same-state match has geographic support, which is a second matching feature rather than confirmation that the two are one person; a cross-state one is the likeliest to be two people who share a name. Every hop shows its tier, low-confidence and distant paths are held back rather than guessed, and it is worth confirming the person before you use the introduction.