· Public charity
Irma & Arthur Miller Family Foundation Inc
It primarily funds general causes.
What it funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year, FY2019 to 2022.
Where the money goes
Grants by size, and the largest recipients.
| Recipient | Amount |
|---|---|
| LEAF GLOBAL ARTS | $1,000 |
| FAMILY EQUALITY COUNCIL | $1,000 |
| EVERGREEN FUND | $500 |
| THE DRAMA LEAGUE | $500 |
| HAVEN ACADEMY | $150 |
| ROSIES THEATER KIDS | $100 |
| THE ACTORS FUND | $100 |
Does the money reach high-need areas?
Each grant placed by the hardship in its grantee’s ZIP, against the area’s typical level.
Dollar for dollar, its grants (FY19–22) land where the poverty rate runs at 13%, against an area that typically sits at 11%. 64% of its dollars go to grantees based in above-average-need neighborhoods. Most of its grants land in higher-need ZIPs.
How this is measured
How this is measured
Who it funds again
Organizations funded in more than one year, against those funded once.
Grantees it renews have grown median revenue +8% since the first grant, against -14% for those funded once.
7 repeat relationships: 7 still active in FY2022, 0 since wound down.
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2022, 100% of grant dollars renewed an existing relationship; $0 went to new ones.
Where new relationships form · theme of each grantee’s first grant
How this is measured
Backed again, and grew
LEAF GLOBAL ARTS3× · 2020–2022 · $3k · revenue -26%- RTROSIE'S THEATER KIDS INC4× · 2019–2022 · $2k · revenue +21%
- FEFAMILY EQUALITY2× · 2021–2022 · $2k · revenue 0%
Funded once
- INInspired Nation Incone grant, 2019 · $5k · revenue -95%
- TJTRANSFORMATIVE JUSTICE COALITIONone grant, 2020 · $1k · revenue -17%
- VTVACH THEATERone grant, 2019 · $500
How this is measured
Repeat means funded in two or more distinct years. Growth and survival are read from each grantee’s own subsequent IRS filings.
Closest unfunded matches
The nonprofits that most resemble its grantees but are not funded by it, scored along the direction from the rest of the field toward the portfolio. A resemblance in what they say they do, not a recommendation.
Wp theater is the nation's oldest and largest theater company dedicated to developing, producing, and promoting the work of women+ at every stage of their careers. for over four decades we have served as leaders of a global movement…
Net links a diverse array of ensembles and practitioners to one another and the performing arts field, encouraging collaborations and knowledge building and dissemination. net is committed to the advancement of the ensemble form and…
Theater mu produces great performances born of arts, equity, and justice from the heart of the asian american experience.
Lookingglass theatre company is a national leader in the creation and presentation of innovative, cutting-edge theatrical work. lookingglass interweaves movement, circus arts and narrative in original and captivating ways. guided by an…
The performance art museum (pam) is the first u.s. institution exclusively dedicated to the presentation and preservation of live art. our mission is to facilitate the powerful impact of live experiences that can profoundly transform our…
Balletx expands the vocabulary of contemporary ballet for all audiences through innovative performances, world premiere choreography, dance education, and community programs.
The mission of bam is to be the home for curious people and adventurous ideas. bam supports artistic experimentation and champions inclusion and accessibility throughout the arts as presenter, activator, and connector.
Tcg's mission is to lead for a just and thriving theatre ecology. by "lead for," we mean communal leadership that models listening, accountability, and action. by "just and "thriving," we envision a movement that has the investments,…
Lively productions presents new work for the stage by emerging artists, and seeks to create innovative theatrical opportunities in a world increasingly defined by real time interactions and new technologies
How this is measured
8 grantees tracked through their own filings, 2017–2025.
Each grant beside the grantee’s revenue from every source, year by year.
How this is measured
Counted here: distinct organizations funded across 2017 to 2025, not grant rows in a single year, so this will not match the grant count on the cover. 8 of the 13 grantees resolved in that span have returns of their own we could reconcile.
Each grantee is resolved to its own IRS returns. Association, dated; never a causal claim.
Where the money sits, by cause and then by grantee
Each grantee by its size and the funder’s share of it; top left is load-bearing
Grantee by grantee: a decade per organization, before and after funding
A decade per grantee: revenue shaded, grants as bars, all rows on one timeline.
Co-funders
Grantmakers whose grantees overlap with this funder’s far more than size alone predicts. Closer means stronger alignment; arcs show where they also fund each other. Here they form a set of overlaps that mostly run through this funder rather than between each other.
Open a dossier: Fidelity Investments Charitable Gift Fund
How this is measured
How much its grantees rely on government
Each dot is one organization Irma & Arthur Miller Family Foundation Inc funds: left to right is the share of its income from government, bottom to top the share from Irma & Arthur Miller Family Foundation Inc. Bigger dots raise more.
How this is measured
Play a game based on Irma & Arthur Miller Family’s filings →