· Private foundation
Hearn Charitable Foundation
Its FY2025 filing reports that it funds preselected organizations and did not take unsolicited requests; check the foundation's own site before ruling it out.
What you funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year — across FY2017–2025.
Where the money goes
Your grants by size, and where they go.
By grant size · FY2025
- Under $10k5 grants · $18k
- $10k–50k4 grants · $52k
- $50k–250k1 grant · $147k
| Recipient | Amount |
|---|---|
| NASHVILLE SYMPHONY | $147,000 |
| NASHVILLE WINE AUCTION | $22,000 |
| AMERICAN RED CROSS-TIFFANY CIRCLE | $10,000 |
| NASHVILLE BALLET | $10,000 |
| THE NEW BEGINNINGS CENTER | $10,000 |
| THE NASHVILLE REPERTORY THEATRE | $5,000 |
| BAREFOOT REPUBLIC INC | $5,000 |
| Individual grant recipient | $3,500 |
| DESTIN CHARITY WINE AUCTION FOUNDATION | $3,500 |
| FRIENDS OF WARNER PARK | $1,000 |
Do your dollars go where the need is?
Each grant placed by the hardship in its grantee’s ZIP, then read against the area’s typical level.
Your human-services grants (FY19–21, $8k) land where the poverty rate runs at 7%, against an area that typically sits at 10%. 0% of those dollars go to grantees based in above-average-need neighborhoods. Your grants skew toward lower-need ZIPs.
Matched: human-services grants are those whose grantee’s IRS cause code is Human Services. Placed by people below the poverty linein the grantee’s ZIP, averaged from the tracts in that ZIP; grantee ZIP can differ from where services are delivered.
Which US states your grants reach
US grants placed by each grantee’s ZIP, which can differ from where services are actually delivered. Need from public data — U.S. Census/ACS, CDC PLACES, Eviction Lab, USDA — shown as context about the area, never attributed to your giving.
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
14 repeat relationships — 8 still active in FY2025, 6 since wound down; 2 grantees were first funded in FY2025 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2025, 95% of grant dollars renewed an existing relationship; $11k went to new ones.
Where new relationships form · theme of each grantee’s first grant
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.” Theme is the grantee’s IRS cause.
Backed again, and grew
- NSNashville Symphony Association9× · 2017–2025 · $250k · revenue +29%
- NWNashville Wine Auction8× · 2017–2025 · $167k · revenue +364%
- NRNASHVILLE REPERTORY THEATRE INC8× · 2017–2025 · $47k · revenue +45%
Funded once
- IGIndividual grant recipientone grant, 2024 · $8k
- IGIndividual grant recipientone grant, 2024 · $5k
- CMCHRISTIAN MUSIC BROADCASTERS INCgraduatedone grant, 2018 · $5k · revenue +62%
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent IRS filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
Nashville public radio's mission is to be the most trusted & independent nashville voice, connecting our communities through non-partisan journalism, compelling storytelling, civil conversation and music discovery.
Arts & business council of greater nashville supports and promotes the arts by driving collaboration between arts and business that contribute to the creativity, vitality, and prosperity of greater nashville/the regions/the city.
Girls write nashville empowers expression through songwriting, production, mentorship and creative community for teen artists. we are an artist and educator-led 501(c)(3) creative youth development program in nashville, tn allied with…
Nashville banner is a locally owned, community supported, civic news organization. we exist to empower the people of nashville to make informed decisions by providing non-partisan journalism from an independent, nonprofit newsroom. we are…
Ntc mission is to advance the diverse technology ecosystem by connecting and promoting members, attracting, growing and retaining tech talent, and providing opportunities to reinvest in the greater nashville community.
The tennessee williams theatre company of new orleans is a year-round professional theatre company committed to producing captivating, exciting, and moving plays with a major focus on the works of america's greatest playwright, tennessee…
To produce plays and encourage the arts by performance and educational programs.
The mission of the NCVB is to maximize the economic contribution of the hospitality industry to the total community by developing and marketing Nashville as a premier domestic and international destination for visitors. This is the second…
The nashville songwriters association international (nsai) consists of a body of creative minds, including songwriters from all genres of music, professional and amateur, who are committed to protecting the rights and future of the…
Nashville cares exists to end the hiv epidemic, promote comprehensive sexual health and end sexual health stigmatization and discrimination through prevention, education, treatment, support, advocacy, and strategic partnership.
To promote or showcase independent and student films and film makers through an annual film festival.
For reference, the grantee most central to the portfolio’s shape is Nashville Repertory Theatre Inc and the most unlike its peers is Gospel Music Trust Fund. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
For each theme you fund, this compares how the sector’s money is shifting with how your own giving is shifting.
Sector change and giving change are each shown relative to their own range, growing (right) or shrinking (left); both normalized, so inflation isn’t mistaken for growth.
Your grantees are a median of 26 years old; the field is 13. You back the established end — and your money leans older still.
The field is 25% startups (under 5 years old) — 0% of your grantees by number, and just 0% of your money.
The orgs you fund almost never close — 0.0% lost their exemption, against 12% of the field you don’t fund.
Age = years since IRS exemption (a founding proxy). “Closed” = auto-revocation for 3 years of non-filing — a floor on closure, not proof, and bigger established orgs lapse least. Association, not causation.
32 grantees tracked through their own filings, 2017–2025.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2025, not grant rows in a single year — so this will not match the grant count on the cover. 32 of the 41 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Where your money sits — by cause, then by grantee
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds Nashville Symphony Association ↗
- Who funds Nashville Wine Auction ↗
- Who funds NASHVILLE REPERTORY THEATRE INC ↗
- Who funds DESTIN CHARITY WINE AUCTION FOUNDATION INC ↗
- Who funds CHEEKWOOD BOTANICAL GARDEN AND MUSEUM OF ART ↗
- Who funds NASHVILLE BALLET ↗
- Who funds NASHVILLE FOOD PROJECT INC ↗
- Who funds BAREFOOT REPUBLIC INC ↗
- Who funds PORTERS CALL ↗
- Who funds THE NEW BEGINNINGS CENTER ↗
- Who funds TJ MARTELL FOUNDATION ↗
- Who funds CHRISTIAN MUSIC BROADCASTERS INC ↗
- Who funds THE MATTIE KELLY ARTS FOUNDATION ↗
- Who funds Goodwill Industries of Middle TN Inc ↗
- Who funds NASHVILLE HISTORICAL FOUNDATION ↗
- Who funds EMERALD COAST AUTISM CENTER IN ↗
- Who funds GILDA'S CLUB MIDDLE TENNESSEE ↗
- Who funds THISTLE FARMS INC ↗
- Who funds GOSPEL MUSIC TRUST FUND ↗
- Who funds THE SONDER PROJECT INC ↗
- Who funds MUSIC HEALTH ALLIANCE INC ↗
- Who funds STEIGER INTERNATIONAL LIMITED ↗
- Who funds SENIOR CITIZENS INC ↗
- Who funds NASHVILLE PUBLIC LIBRARY FOUNDATION ↗
- Who funds HORIZONS OF OKALOOSA COUNTY INC ↗
- Who funds TENNESSEE PERFORMING ARTS CENTER (TPAC) MANAGEMENT CORPORATION ↗
- Who funds ST JUDE CHILDREN'S RESEARCH HOSPITAL INC ↗
- Who funds FOOD FOR THOUGHT OUTREACH INC ↗
- Who funds Point Washington Medical Clinic Inc ↗
- Who funds NASHVILLE OPERA ASSOCIATION ↗
- Who funds FRIST ART MUSEUM ↗
- Who funds RAISE THE ROOF ACADEMY ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: Memorial Foundation Inc · Hca Healthcare Foundation · The Community Foundation of Middle Tennessee Inc · Enchiridion Foundation · Dettwiller Foundation · Publix Super Markets Charities Inc · The Steven & Laurie Eskind Family Foundation · The Frist Foundation · The Wade-Buntin Family Foundation · The Blum Family Foundation · Gibson Gives Foundation Dba Gibson Gives · Raymond James Charitable Endowment Fund
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.
Government reliance of your grantees
Every dot is one organization Hearn Charitable Foundation funds. Left–right is the share of its income from government; up–down is the share from you. Bigger dots raise more. Filter to federal, a single department, or state — and drag the year to watch it move.
Government income is each org’s traced federal awards (USASpending — grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check: a grantee that reports government grants we could not trace to a source is left off the chart rather than shown as receiving none. An association, not a claim that your grant caused the public funding. Coverage is precision-first — a floor, not a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12–24 months.