· Private foundation
Frank and Lydia Bergen Foundation
Its FY2025 filing reports that it accepted unsolicited grant applications.
What you funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year — across FY2017–2025.
Where the money goes
Your grants by size, and where they go.
| Recipient | Amount |
|---|---|
| AMERICAN THEATRE WING | $25,000 |
| THE ASCAP FOUNDATION | $20,000 |
| Individual grant recipient | $20,000 |
| SARATOGA PERFORMING ARTS CENTER | $20,000 |
| NEW YORK YOUTH SYMPHONY INC | $20,000 |
| THE DISCOVERY ORCHESTRA INC | $20,000 |
| YARNWIRE INC | $15,000 |
| SAINT PETERS UNIVERSITY | $12,500 |
| BINGHAMTON PHILHARMONIC INC | $12,500 |
| COUNCIL ON ARTS AND HUMANITIES STATEN IS | $12,500 |
| STATE THEATRE REGIONAL ART CTR NEW BRUNS | $12,500 |
| ARTSMART | $10,000 |
| PHILHARMONIC SYMPHONY SOCIETY NEW YORK | $10,000 |
| WILLIAM PATERSON UNIVERSITY | $10,000 |
| EDUCATION THROUGH MUSIC | $10,000 |
Do your dollars go where the need is?
Each grant placed by the hardship in its grantee’s ZIP, then read against the area’s typical level.
Dollar for dollar, your grants (FY17–25) land where the poverty rate runs at 14%, against an area that typically sits at 11%. 73% of your dollars go to grantees based in above-average-need neighborhoods. Most of your grants land in higher-need ZIPs.
Matched: human-services grants are those whose grantee’s IRS cause code is Human Services. Placed by people below the poverty linein the grantee’s ZIP, averaged from the tracts in that ZIP; grantee ZIP can differ from where services are delivered.
US grants placed by each grantee’s ZIP, which can differ from where services are actually delivered. Need from public data — U.S. Census/ACS, CDC PLACES, Eviction Lab, USDA — shown as context about the area, never attributed to your giving.
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
58 repeat relationships — 21 still active in FY2025, 37 since wound down; 14 grantees were first funded in FY2025 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2025, 60% of grant dollars renewed an existing relationship; $170k went to new ones.
Where new relationships form · theme of each grantee’s first grant
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.” Theme is the grantee’s IRS cause.
Backed again, and grew
- NYNEW YORK YOUTH SYMPHONY INC6× · 2018–2025 · $125k · revenue +334%
- MMMETROPOLITAN MUSEUM OF ART6× · 2017–2024 · $125k · revenue +58%
- MSMANHATTAN SCHOOL OF MUSIC7× · 2017–2025 · $123k · revenue +47%
Funded once
- CACONNECTICUT AERONAUTICAL HISTORICAL ASSOCIATION INCgraduatedone grant, 2021 · $50k · revenue +39%
- NYNEW YORK CITY DEPARTMENT OF EDUCATIONone grant, 2020 · $30k
- TCTRENTON COMMUNITY MUSIC SCHOOL INCone grant, 2018 · $25k
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent IRS filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
The mission of the princeton symphony orchestra is to leverage the power of live music to uplift the human experience.
The charleston symphony's mission is to inspire and engage the community through exceptional musical performances and educational programs.
The mission of the annapolis symphony orchestra is to inspire, educate and enrich lives near and far by creating extraordinary musical experiences with uncompromising artistic excellence.
The American Chamber Ensemble is a consortium of distinguished musicians whose concerts explore the music for piano with strings, woodwinds and/or voice, presenting both great standard repertoire and living American composers.
Advancement of the art of music and public knowledge therefor by producing performances. Featuring emerging conductors and musical soloists.
Prepares gifted graduates of prestigious music programs for successful careers in orchestras and ensembles.
Jeunes Virtuoses de New York" (JVNY) is an ensemble of exceptionally accomplished young musicians who perform on both sides of the Atlantic both as a string camerata, and in various chamber music configurations. Our mission is to transform…
For more than a century, diller-quaile has offered an environment where music can flourish in all its aspects, enriching the lives of students of all ages and cultural backgrounds. the belief that music is a fundamental part of human life…
To present chamber music concerts in San Jose performed by top ensembles from the Bay Area, across America, and around the world. To enrich our audience experience through post-concert Q&As, program notes, and meet-the-composer…
The mission of lyrica baroque is to support a diverse community of students, teachers, artists, institutions and audiences of all ages through education, collaboration and performance. lyrica baroque seeks to promote the extraordinary…
For reference, the grantee most central to the portfolio’s shape is The Philharmonic Symphony Society of Ny Inc and the most unlike its peers is The Noel Pointer Foundation Inc. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
For each theme you fund, this compares how the sector’s money is shifting with how your own giving is shifting.
Sector change and giving change are each shown relative to their own range, growing (right) or shrinking (left); both normalized, so inflation isn’t mistaken for growth.
Your grantees are a median of 43 years old; the field is 16. You back the established end — and your money leans older still.
The field is 21% startups (under 5 years old) — 4% of your grantees by number, and just 1% of your money.
The orgs you fund almost never close — 1% lost their exemption, against 12% of the field you don’t fund.
Age = years since IRS exemption (a founding proxy). “Closed” = auto-revocation for 3 years of non-filing — a floor on closure, not proof, and bigger established orgs lapse least. Association, not causation.
78 grantees tracked through their own filings, 2017–2025.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2025, not grant rows in a single year — so this will not match the grant count on the cover. 78 of the 115 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Where your money sits — by cause, then by grantee
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds NEW YORK YOUTH SYMPHONY INC ↗
- Who funds METROPOLITAN MUSEUM OF ART ↗
- Who funds MANHATTAN SCHOOL OF MUSIC ↗
- Who funds AMERICAN SYMPHONY ORCHESTRA ↗
- Who funds THE LITTLE ORCHESTRA SOCIETYORPHEON INC ↗
- Who funds NEWARK SCHOOL OF THE ARTS ↗
- Who funds ORPHEUS CHAMBER ORCHESTRA INC ↗
- Who funds PERKINS CENTER FOR THE ARTS ↗
- Who funds ELAINE KAUFMAN CULTURAL CENTER LUCY MOSES SCHOOL FOR MUSIC AND DANCE ↗
- Who funds THE DISCOVERY ORCHESTRA INC ↗
- Who funds BAY-ATLANTIC SYMPHONY ↗
- Who funds Newark Boys Chorus School ↗
- Who funds SOUTH ORANGE PERFORMING ARTS CENTERINC ↗
- Who funds THE MONTCLAIR ORCHESTRA INC ↗
- Who funds UNION CITY MUSIC PROJECT INC ↗
- Who funds NEW JERSEY SYMPHONY ORCHESTRA ↗
- Who funds ASCAP FOUNDATION ↗
- Who funds Capital Harmony Works Inc ↗
- Who funds SARATOGA PERFORMING ARTS CENTER INC ↗
- Who funds Binghamton Philharmonic Inc ↗
- Who funds ROSIE'S THEATER KIDS INC ↗
- Who funds New Jersey Intergenerational Orchestra ↗
- Who funds CONNECTICUT AERONAUTICAL HISTORICAL ASSOCIATION INC ↗
- Who funds SAINT PETER'S UNIVERSITY ↗
- Who funds ORCHESTRATING DREAMS INC ↗
- Who funds ADELPHI CHAMBER ORCHESTRA ↗
- Who funds EMBER CHORAL ARTS INC ↗
- Who funds WHIN MUSIC COMMUNITY CHARTER SCHOOL ↗
- Who funds ST LUKES CHAMBER ENSEMBLE INC ↗
- Who funds ALL SEASONS CHAMBER PLAYERS ↗
- Who funds NEW CITY KIDS INC ↗
- Who funds MONTCLAIR STATE UNIVERSITY FOUNDATION INC ↗
- Who funds RIVERSIDE SYMPHONY INC ↗
- Who funds THE HARMONY PROGRAM INC ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: The Hyde and Watson Foundation · Geraldine R Dodge Foundation Inc · D'Addario Foundation Inc · Investors Foundation Inc · Princeton Area Community Foundation Inc · Community Foundation of New Jersey · Citizens Philanthropic Foundation Inc · Turrell Fund · Pseg Foundation Inc · George a Ohl Jr Trust · Bristol-Myers Squibb Foundation Inc · The Howard Gilman Foundation Inc
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.
Government reliance of your grantees
Every dot is one organization Frank and Lydia Bergen Foundation funds. Left–right is the share of its income from government; up–down is the share from you. Bigger dots raise more. Filter to federal, a single department, or state — and drag the year to watch it move.
- Perkins Center for the Arts — 24% of income from government
- New Jersey Symphony Orchestra — 21% of income from government
- Newark School of the Arts — 20% of income from government
- Bay-Atlantic Symphony — 16% of income from government
- The Discovery Orchestra Inc — 14% of income from government
- New Jersey Festival Orchestra — 13% of income from government
- Asbury Park Music Foundation Inc — 9% of income from government
- Union City Music Project Inc — 8% of income from government
- Arts Horizons Inc — 3% of income from government
- Branch Brook Park Alliance Inc — 2% of income from government
- Count Basie Theatre Inc — 2% of income from government
- The Institute of Music for Children Inc — 1% of income from government
- Neighborhood Center Inc — 1% of income from government
- Young Audiences of New Jersey Inc — 1% of income from government
- New Jersey Performing Arts Center Corporation — 0% of income from government
- Saint Peter's University — 0% of income from government
Government income is each org’s traced federal awards (USASpending — grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check: a grantee that reports government grants we could not trace to a source is left off the chart rather than shown as receiving none. An association, not a claim that your grant caused the public funding. Coverage is precision-first — a floor, not a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12–24 months.