· Private foundation
Cy Twombly Foundation
Its FY2024 filing reports that it funds preselected organizations and did not take unsolicited requests; check the foundation's own site before ruling it out.
What you funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year — across FY2020–2024.
Where the money goes
Your grants by size, and where they go.
By grant size · FY2024
- $50k–250k3 grants · $201k
- $250k+1 grant · $3.8M
| Recipient | Amount |
|---|---|
| ART INSTITUTE OF CHICAGO | $3,800,000 |
| DRAWING CENTER INC | $100,000 |
| FOUNDATION FOR CONTEMPORARY ARTS INC | $50,500 |
| SAFE HORIZON INC | $50,000 |
Do your dollars go where the need is?
Each grant placed by the hardship in its grantee’s ZIP, then read against the area’s typical level.
Your human-services grants (FY20–24, $250k) land where the poverty rate runs at 17%, against an area that typically sits at 14%. 100% of those dollars go to grantees based in above-average-need neighborhoods. Most of your grants land in higher-need ZIPs.
Matched: human-services grants are those whose grantee’s IRS cause code is Human Services. Placed by people below the poverty linein the grantee’s ZIP, averaged from the tracts in that ZIP; grantee ZIP can differ from where services are delivered.
US grants placed by each grantee’s ZIP, which can differ from where services are actually delivered. Need from public data — U.S. Census/ACS, CDC PLACES, Eviction Lab, USDA — shown as context about the area, never attributed to your giving.
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
9 repeat relationships — 4 still active in FY2024, 5 since wound down.
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2024, 100% of grant dollars renewed an existing relationship; $0 went to new ones.
Where new relationships form · theme of each grantee’s first grant
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.” Theme is the grantee’s IRS cause.
Backed again, and grew
- PMPHILADELPHIA MUSEUM OF ART2× · 2020–2021 · $17M · revenue +14%
- TATHE ART INSTITUTE OF CHICAGO3× · 2022–2024 · $12M · revenue +12%
- WMWHITNEY MUSEUM OF AMERICAN ART2× · 2022–2023 · $3.0M · revenue +74%
Funded once
- MOMUSEUM OF FINE ARTS BOSTONone grant, 2023 · $11M
- IGIndividual grant recipientone grant, 2020 · $417k
United States Artists Incgraduatedone grant, 2020 · $250k · revenue +67%
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent IRS filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
The museum of the city of new york fosters understanding of the distinctive nature of urban life in the world's most influential metropolis. it engages visitors by celebrating, documenting, and interpreting the city's past, present, and…
See schedule osfmoma believes the art of our time is vital and shares it with passion and purpose, and that art and the creative process can open minds and help build a better world. for that reason, we assemble unparalleled collections,…
The institute of contemporary art, miami (ica miami), is dedicated to promoting the work of contemporary artists, and to the exchange of art and ideas throughout the miami region and internationally. through an energetic calendar of…
Committed to innovation, the solomon r. guggenheim foundation (the "foundation") collects, (continued on schedule o)
The mission of the national museum of women in the arts is to collect, conserve and elevate the achievements of women artists from all nationalities and to educate the public on their outstanding accomplishments. we strive to accomplish…
To inspire, educate and cultivate curiosity through great works of art.
The studio museum in harlem is a contemporary art museum that focuses on the work of artists of african descent - as well as work that has been inspired and influenced by african culture - past and present; through its exhibitions,…
The phillips collection is the oldest museum of modern and contemporary art in the u.s. in addition to presentation of works from the permanent collection and special exhibitions, the museum maintains active educational, academic,…
The metropolitan museum of art collects, studies, conserves, and presents significant works of art across all times and cultures in order to connect people to creativity, knowledge, and ideas.
For reference, the grantee most central to the portfolio’s shape is New York Foundation for the Arts Inc and the most unlike its peers is Safe Horizon Inc. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
9 grantees tracked through their own filings, 2017–2025.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2025, not grant rows in a single year — so this will not match the grant count on the cover. 9 of the 14 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Where your money sits — by cause, then by grantee
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds PHILADELPHIA MUSEUM OF ART ↗
- Who funds THE ART INSTITUTE OF CHICAGO ↗
- Who funds WHITNEY MUSEUM OF AMERICAN ART ↗
- Who funds SWISS INSTITUTE ↗
- Who funds FOUNDATION FOR CONTEMPORARY ARTS INC ↗
- Who funds THE DRAWING CENTER INC ↗
- Who funds NEW YORK FOUNDATION FOR THE ARTS INC ↗
- Who funds United States Artists Inc ↗
- Who funds SAFE HORIZON INC ↗
Government reliance of your grantees
Every dot is one organization Cy Twombly Foundation funds. Left–right is the share of its income from government; up–down is the share from you. Bigger dots raise more. Filter to federal or a single department — and drag the year to watch it move.
Government income is each org’s traced federal awards (USASpending — grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check: a grantee that reports government grants we could not trace to a source is left off the chart rather than shown as receiving none. An association, not a claim that your grant caused the public funding. Coverage is precision-first — a floor, not a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12–24 months.