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Tennessee · Nonprofit

DANCEAST COLLECTIVE

DANCEAST COLLECTIVE (Tennessee) receives grants from 1 organization whose IRS filings report $1,857 to it, the largest being CAPEZIO BALLET MAKERS DANCE FOUNDATION ($1,857). 0 of them have funded it in more than one year.

Revenue FY2025
$334k
Funders on record
1
Grants received
$2k
Net assets
$0
0/1 repeat funders
01What it does

What Danceast Collective does

Mission

To cultivate a community of students, artists, and audiences by offering high-quality and accessible dance education, creation, performance, and engagement opportunities.

As stated on its FY2025 Form 990.

Programs

  1. Dance for Every Body. DancEast Collective is committed to making dance accessible to students, artists, and audiences. The Dance for Every Body project was centered around the portion of our mission that seeks to offer highly-accessible, community-based dance programs. While a project focused on offering free dance instruction to pretty much anyone interested in moving their body may on the surface appear to be about dance education (and it is for sure), this project was just as much about exposure to the art of dance and building an appreciation for that art. The impact of the project is in the cultivation of love for the art of dance and the fact that we were able to offer the experience of dancing together as a community to many individuals - ranging from those with a fairly significant amount of dance education/experience to those who had never even stepped foot into a dance class before. DancEast has been offering and promoting dance education, artistry, and outreach throughout the Nashville community for more than a decade. Funding from the Metro Nashville Arts Commission - via a grant for $16,400 - allowed us to expand our reach in very exciting ways in FY25. Additional…

    of which $16,400 as grants$9,000 earned by the program
  2. DancEast Collective Youth. We were highly successful in achieving the goals for our youth programming in FY25. DancEast Collective served 63 youth between the ages of 8 and 18 in the DancEast Studio. We served an additional 28 youth in that age range in Metro Nashville Public Schools. The DancEast Collective Youth program was offered to 22 youth between the ages of 8 and 18 at no cost. An additional 12 students in that age range received dance instruction at a significantly reduced cost, and one 7-year-old did, as well. 20 youth in Metro Nashville Public Schools received dance instruction at no cost to them, and an additional 8 students in MNPS received instruction at a significantly reduced cost. 29.6% of the total 91 students served are BIPoC. While we contracted with 8, rather than the projected 14, teaching artists, we did surpass the goal of half of them identifying as BIPoC or LGBTQIA+ (75%). We paid them on average $60/hour, surpassing the goal of $50/hour. We met our goal of offering 2 youth dance performances for the community, surpassing our goal of 20 youth and 40 adults for the free show in December and also surpassing our goal of 20 free tickets given out for the…

    of which $1,600 as grants$282,200 earned by the program
  3. DancEast Company. Being able to pay competitive wages to dancers is an incredibly important part of our mission. The fact that 3 of the 6 dancers in the company are Latine (1 born in Cuba and another in Mexico) is something of which we are quite proud. We hear from audiences that they are moved by the diversity of the company and the ingenuity of the movement they represent. A member of the audience at the free performance in the gallery at the downtown Nashville Public Library stated "I see collaboration. I see reaction. I see consciousness." He just happened into the performance but was moved to sit down and stay for the entirety of it. That single interaction was so perfectly representative of what we are trying to do by offering dance in unexpected places for anyone and everyone to experience and enjoy. This project was made possible in part by an Arts Project grant in the amount of $8,800 from the TN Arts Commission. Revenue is from ticket sales and payment for adults to take dance lessons.

    of which $8,800 as grants$16,000 earned by the program

The 3 programs described on its FY2024 Form 990, listed largest first by expense. Program spending in total: $0.

02The organization over time

The organization over time

Each line starts at 100 in 2022, so what you read is the shape rather than the size: 150 means half as much again as 2022, 50 means half. The number beside each label in the key is where it ended. The shaded band is where the middle 50% of its peers' revenue would sit, given their growth.

100 = 20222022 Revenue 100 ($192k) Expenses 100 ($207k)2023 Revenue 103 ($198k) Expenses 114 ($237k)2024 Revenue 190 ($366k) Expenses 150 ($311k)2025 Revenue 174 ($334k) Expenses 161 ($333k)
2022202320242025
Revenue (174)Expenses (161)Peer revenue range

Balance sheet

Total assets and total liabilities at each year end, in dollars.

$0
$0
$0
$0
2022202320242025
Total assetsTotal liabilities

How it's funded, over time

Each bar is one year's revenue split into where it came from, and every bar is the same height — these are shares, not amounts, so a year that raised twice as much looks the same size. Hover a bar for the split.

2022
2023
2024
2025
ContributionsProgram revenueInvestmentOther

Government-grant reliance: 2024 18% · 2025 8%. Grants only. Government contracts and fees sit inside program revenue.

11% of DANCEAST COLLECTIVE’s revenue is contributions — more earned-revenue than three-quarters of its peers (64% for the typical peer).

This organization
Typical peer · 19,547 orgs

Surplus & reserves

Operating surplus or deficit each year, and months of liquidity in hand. 2 of the last 4 reported years ran a deficit.

−$15k
’22
−$39k
’23
$55k
’24
$648
’25

Leadership and staff

The officers, directors, trustees and key employees listed on each return. Joined and no longer listed compare each filing with the year before, matching people by surname and first initial; a year after a gap, or a roster under three people, has no comparison.

Chief executive

Emily Masters

Executive Director

As listed on its FY2025 Form 990.

20242025
Listed104
Joined·+1
No longer listed·7
03Who funds it

Who funds it, year by year

Grant support over time, funder by funder — shade shows the grant size each year.

Funder
'24*
total
funders
1

From the IRS filings of DANCEAST COLLECTIVE’s funders (the co-funder graph). Association, not causation. Trends are read to FY2023, the last fiscal year that has finished arriving. FY2024–FY2026 are still being filed and are shown unshaded; they do not move any figure on this page.

Where its funders are

DANCEAST COLLECTIVE draws 100% of its grant income from funders outside Tennessee, across 1 state in all.

NJ

Funder states come from each funder’s own filing. Trends are read to FY2023, the last fiscal year that has finished arriving. FY2024–FY2026 are still being filed and are shown unshaded; they do not move any figure on this page.

04Its place in the field

Against its field

DANCEAST COLLECTIVE has grown faster than three-quarters of the 11,634 arts & culture nonprofits its size.

Operating margin0% · below the median
Revenue growth (annualized)20% · top quartile

this organization peer median middle 50% of peers· 11,634 arts & culture nonprofits $100k–$1M, FY2025

Organizations like DANCEAST COLLECTIVE

Organizations whose mission and program text most resemble this one, by semantic similarity over every organization in the US filings — the closest peers, and often the clearest route to shared or prospective funders.

In Tennessee

Nationally

05Profile & governance

Read directly from this organization’s own Form 990, as neutral context.

Where the money goes

59% of spending goes to programs.

Program 59%Management 41%Fundraising 0%

Governance

7
board members
100%
independent
✓Conflict-of-interest policy–Whistleblower policy–Document retention✓Board reviewed the 990–Audited financials

Public support

100%

Share of support from the public (Schedule A) — the basis for its public-charity status.

Footprint & structure

Files a return copy in 1 state

TN

Screen this organization

A dated, signed PDF of the compliance screen for DANCEAST COLLECTIVE: IRS status (Business Master File, Publication 78, auto-revocation), the OFAC sanctions lists, the Internal Revenue Bulletin, and California registration, with the Rev. Proc. 2018-32 §8.01 reliance elements stated element by element. Generated from the current files at the moment you download it.

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Screens are triage, not determinations; a source that cannot be read reports not screened, never clear. Screen this nonprofit · How the screen works · on the API as GET /api/screening/{ein}?format=pdf

Questions and answers

Who funds DANCEAST COLLECTIVE?
DANCEAST COLLECTIVE (Tennessee) receives grants from 1 organization whose IRS filings report $1,857 to it, the largest being CAPEZIO BALLET MAKERS DANCE FOUNDATION ($1,857). 0 of them have funded it in more than one year.
How many funders does DANCEAST COLLECTIVE have?
IRS filings report 1 organization giving $1,857 in grants to DANCEAST COLLECTIVE.
Who is the largest funder of DANCEAST COLLECTIVE?
CAPEZIO BALLET MAKERS DANCE FOUNDATION is the largest funder on record, with $1,857 in grants. The full list of funders is on this page.
How can an organization like DANCEAST COLLECTIVE find more funders?
Start with the funders already giving here, then look at the foundations that back similar organizations in Tennessee. The funding by cause and by state pages list the largest funders for a given area and how to approach them.

These figures are read directly from IRS Form 990 / 990-PF e-file XML: this organization’s own return for FY2025 (financials across 2022–2025), and the filings of 1 funders that report grants to it. “On record” means captured in the filings we have parsed — a funder that does not e-file, or whose grant detail is not itemized, will not appear. Filings run roughly 12–24 months behind. Trends on this page end at FY2023, the last fiscal year that has finished arriving; later years are shown and marked, and move no figure. Data on this page was exported October 14, 2026. What this page cannot tell you · view filing