New York · Nonprofit
ANNA & KITTY INC
ANNA & KITTY INC (New York) receives grants from 2 organizations whose IRS filings report $63,000 to it, the largest being FIDELITY INVESTMENTS CHARITABLE GIFT FUND ($40,500). 0 of them have funded it in more than one year, and 64% of the money arrives through donor-advised or pass-through sponsors rather than from an institution directly.
- Revenue FY2025
- $111k
- Funders on record
- 2
- Grants received
- $63k
- Net assets
- $24k
What Anna & Kitty Inc does
Mission
We're a theatrical organization committed to female+ leadership through arts and culture with an emphasis on education and performance that uplifts and recenters Jewish, women's, and immigrant narratives through outreach, education, and theater whether via full productions or new play and media development. Previous work includes The Russian & The Jew at the tank (2018), Round Table at 59e59 (TSQ's Best of 2019), and The Matriarchs at Theaterlab (Forward's Best of 2025) with generous support from Venturous Theater Fund, Bronx Cultural Visions Fund, ART/NY, and Elliot Joseph. Producing collaborations include I Came Back For Molly at Theater Row (2026) with the American Playwriting Foundation. Through ongoing readings and full presentations, we cultivate crucial cultural leadership that raises the standards of arts and culture as a benchmark of personal and global development. Liba Vaynberg and Inés Braun are honored to serve in leadership roles.
As stated on its FY2025 Form 990.
Programs
Production of THE MATRIARCHS at Theaterlab, featuring Rebecca S'manga Frank (AT THE WEDDING at Lincoln Center), Helen Cespedes (The Cripple of Inishmaan on Broadway), Arielle Goldman (Let's Call Her Patty at LCT3), Anna O'Donoghue (Rock'n'Roll on Broadway), Molly Carden (Amerikin at Primary Stages), Rachel Botchan (The Pearl), Frankie Placidi (Clubbed Thumb). This production ran for 16 performances at Theaterlab with funding from the Bronx Cultural Visions Fund, ART/NY Creative Opportunity Fund, and the Venturous Theater Fund of the Tides Foundation. Individual donors also contributed, including Elliot Joseph. The production featured talkbacks, centering the themes of faith and fertility in Judaism and across religions, featuring Dr. Emmanuel D'harcourt, yiddishist Rokhl Kaffrisen, playwright Shara Feit, Rabbi Dr. Wendy Zierler (author of Going Out With Knots), Kelsey Osgood (author of Godstruck), and an affinity night with Lilith Magzine (the feminist Jewish quarterly). The run was met with terrific audience feedback and critical acclaim, including being named one of the best Jewish plays of 2025 by the Forward. This production which has previously been developed at the Civilians…
$88,495 spentof which $67,950 as grants$8,993 earned by the program84% of program spendingNew play development is something we work on all year round-this year included readings by Liba Vaynberg (playwright of Matriarchs) as well as the toddler play by Helen Cespedes, Fort Knox, Florida by Leigh Flayton, Alice in Bed (with a new foreword) by Susan Sontag under Inés Braun's direction and other readings. We partnered with the American Playwriting Foundation for some of our readings that were more public-facing, allowing artists to directly engage with their audience around relevant themes. We also hosted readings internally and fostered dramaturgical conversations (after readings, led by the artists) to better understand the stage of the play and how it can progress further. We also co-produced a developmental workshop the Hearth (another organization whose mission aligns with ours).
$1,718 spentof which $1,718 as grants2% of program spendingAs part of our mission to foster leadership through women's arts and culture, we worked on the short art film SUITE BERGAMASQUE (starring Sharina Martin, Craig Divino, Ali Stoner, and Elia Monte-Brown) directed by Raj Trivedi by helping develop and produce the film along the lines of our organization's mission. This film focuses on a woman who is a pianist, wrestling with her demons around performance and criticism upon completion of a concert in which she played Suite Bergamasque by Claude Debussy. Our set employed a majority of women and furthered women's narratives through sensitive eand three-dimensional portrayals of the questions that haunt artists and audience members alike: did I do the thing well? Is everyone around me lying to me? When do I want to be praised and when do I want to be criticized? And why? The film is complete along with talkbacks and educational components that allow artists and audience to self-reflect.
$15,000 spentof which $15,000 as grants14% of program spendingOther program services, not described on the e-filed return.
$0 spent0% of program spending
The 4 programs described on its FY2025 Form 990, listed largest first by expense. Program spending in total: $105,213.
Leadership and staff
The officers, directors, trustees and key employees listed on each return. Joined and no longer listed compare each filing with the year before, matching people by surname and first initial; a year after a gap, or a roster under three people, has no comparison.
Chief executive
Leigh Vaynberg
Creative Director / CEO
As listed on its FY2025 Form 990.
Who funds it, year by year
Grant support over time, funder by funder — shade shows the grant size each year.
1 of 2 of your funders are donor-advised or pass-through sponsors (tagged DAF) — 64% of grant dollars received. That money is really individual donors directing a sponsor; the institutions to cultivate are the non-DAF funders.
From the IRS filings of ANNA & KITTY INC’s funders (the co-funder graph). Association, not causation. Trends are read to FY2023, the last fiscal year that has finished arriving. FY2024–FY2026 are still being filed and are shown unshaded; they do not move any figure on this page.
How concentrated its funding is
ANNA & KITTY INC leans on a few funders — its largest provides 64% of grant income and the top three 100%; half comes from just 1 funder.
the vertical line marks half of all grant income — 1 funder to its left
100% of the income these shares are computed over arrives through pass-through sponsors or from payers whose filings do not say what kind of payment it is. Concentration is still measured over all of it, because the money is real; what it does not support is a claim about how many institutions have chosen to fund ANNA & KITTY INC.
“Effective funders” = inverse Herfindahl index (1 / Σ shareᵢ²) — the number of equal-sized funders that would give the same concentration. Trends are read to FY2023, the last fiscal year that has finished arriving. FY2024–FY2026 are still being filed and are shown unshaded; they do not move any figure on this page.
Where its funders are
64% of ANNA & KITTY INC's grant income arrives through donor-advised or pass-through sponsors, whose addresses record where the money is held rather than where the donor is. Of the $23k that is directly attributable, 100% of it comes from New York funders.
Funder states come from each funder’s own filing. $41k arriving through sponsors registered in 1 state is excluded from the map and the split above: a sponsor holds money on a donor’s behalf, so its registered address would place those dollars somewhere no donor need ever have been. Trends are read to FY2023, the last fiscal year that has finished arriving. FY2024–FY2026 are still being filed and are shown unshaded; they do not move any figure on this page.
Against its field
ANNA & KITTY INC runs a healthier operating margin than half of the 11,634 arts & culture nonprofits its size.
this organization peer median middle 50% of peers· 11,634 arts & culture nonprofits $100k–$1M, FY2025
Organizations like ANNA & KITTY INC
Organizations whose mission and program text most resemble this one, by semantic similarity over every organization in the US filings — the closest peers, and often the clearest route to shared or prospective funders.
In New York
Nationally
Read directly from this organization’s own Form 990, as neutral context.
Where the money goes
100% of spending goes to programs.
Governance
Public support
100%
Share of support from the public (Schedule A) — the basis for its public-charity status.
Footprint & structure
Files a return copy in 1 state
Screen this organization
A dated, signed PDF of the compliance screen for ANNA & KITTY INC: IRS status (Business Master File, Publication 78, auto-revocation), the OFAC sanctions lists, the Internal Revenue Bulletin, and California registration, with the Rev. Proc. 2018-32 §8.01 reliance elements stated element by element. Generated from the current files at the moment you download it.
Screens are triage, not determinations; a source that cannot be read reports not screened, never clear. Screen this nonprofit · How the screen works · on the API as GET /api/screening/{ein}?format=pdf
Questions and answers
- Who funds ANNA & KITTY INC?
- ANNA & KITTY INC (New York) receives grants from 2 organizations whose IRS filings report $63,000 to it, the largest being FIDELITY INVESTMENTS CHARITABLE GIFT FUND ($40,500). 0 of them have funded it in more than one year, and 64% of the money arrives through donor-advised or pass-through sponsors rather than from an institution directly.
- How many funders does ANNA & KITTY INC have?
- IRS filings report 2 organizations giving $63,000 in grants to ANNA & KITTY INC.
- Who is the largest funder of ANNA & KITTY INC?
- FIDELITY INVESTMENTS CHARITABLE GIFT FUND is the largest funder on record, with $40,500 in grants. The full list of funders is on this page.
- How can an organization like ANNA & KITTY INC find more funders?
- Start with the funders already giving here, then look at the foundations that back similar organizations in New York. The funding by cause and by state pages list the largest funders for a given area and how to approach them.
These figures are read directly from IRS Form 990 / 990-PF e-file XML: this organization’s own return for FY2025 (financials across 2025–2025), and the filings of 2 funders that report grants to it. “On record” means captured in the filings we have parsed — a funder that does not e-file, or whose grant detail is not itemized, will not appear. Filings run roughly 12–24 months behind. Trends on this page end at FY2023, the last fiscal year that has finished arriving; later years are shown and marked, and move no figure. Data on this page was exported October 14, 2026. What this page cannot tell you · view filing