· Private foundation
Shigeko Kubota Video Art Foundation Inc
Its FY2024 filing reports that it funds preselected organizations and did not take unsolicited requests; check the foundation's own site before ruling it out.
What it funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year, FY2017 to 2020.
Where the money goes
Grants by size, and the largest recipients.
| Recipient | Amount |
|---|---|
| ELECTRONIC ARTS INTERMIX | $1,000 |
| WHITEBOX | $600 |
| DIA ART FOUNDATION | $500 |
| Individual grant recipient | $500 |
| Individual grant recipient | $500 |
| NEW YORK CITY BALLET | $500 |
| ASPEN INSTITUTE | $250 |
Does the money reach high-need areas?
Each grant placed by the hardship in its grantee’s ZIP, against the area’s typical level.
Dollar for dollar, its grants (FY17–20) land where the poverty rate runs at 18%, against an area that typically sits at 12%. 100% of its dollars go to grantees based in above-average-need neighborhoods. Most of its grants land in higher-need ZIPs.
How this is measured
How this is measured
Who it funds again
Organizations funded in more than one year, against those funded once.
Grantees it renews have grown median revenue +13% since the first grant, against -11% for those funded once.
4 repeat relationships: 3 still active in FY2020, 1 since wound down; 4 grantees were first funded in FY2020 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2020, 48% of grant dollars renewed an existing relationship; $2k went to new ones.
Where new relationships form · theme of each grantee’s first grant
How this is measured
Backed again, and grew
- EAELECTRONIC ARTS INTERMIX INC3× · 2017–2020 · $8k · revenue -16%
- WBWHITE BOX LTD2× · 2019–2020 · $2k · revenue -55%
- RDROXANNE DANCE FOUNDATION INC3× · 2017–2019 · $1k · revenue +13%
Funded once
- AFANTHOLOGY FILM ARCHIVESone grant, 2017 · $2k · revenue -31%
- TKTHE KOREA SOCIETYgraduatedone grant, 2017 · $500 · revenue +44%
- ETEARLY TELEVISION FOUNDATIONone grant, 2019 · $135 · revenue -11%
How this is measured
Repeat means funded in two or more distinct years. Growth and survival are read from each grantee’s own subsequent IRS filings.
Closest unfunded matches
The nonprofits that most resemble its grantees but are not funded by it, scored along the direction from the rest of the field toward the portfolio. A resemblance in what they say they do, not a recommendation.
The museum of the city of new york fosters understanding of the distinctive nature of urban life in the world's most influential metropolis. it engages visitors by celebrating, documenting, and interpreting the city's past, present, and…
See schedule omuseum of the moving image (momi) is the only museum in the u.s. that explores the central technology of the present moment.screens are all around us. we use them to educate, entertain, and communicate. the moving…
Committed to innovation, the solomon r. guggenheim foundation (the "foundation") collects, (continued on schedule o)
Park avenue armory's mission is to enable a diverse range of artists to create, students to explore, and audiences to experience epic, adventurous, relevant work that cannot be done elsewhere in new york. with its soaring…
El museo's mission is to preserve, interpret, and promote the artistic heritage of puerto ricans and all latin americans in the united states by means of exhibitions, public programs, publications, and educational activities.
Description of organization mission: the paley center for media is the premier institution dedicated to advancing the understanding of media-it's artistic value, social impact and historical importance-for the public and media…
How this is measured
10 grantees tracked through their own filings, 2017–2025.
Each grant beside the grantee’s revenue from every source, year by year.
How this is measured
Counted here: distinct organizations funded across 2017 to 2025, not grant rows in a single year, so this will not match the grant count on the cover. 10 of the 12 grantees resolved in that span have returns of their own we could reconcile.
Each grantee is resolved to its own IRS returns. Association, dated; never a causal claim.
Where the money sits, by cause and then by grantee
Each grantee by its size and the funder’s share of it; top left is load-bearing
Grantee by grantee: a decade per organization, before and after funding
A decade per grantee: revenue shaded, grants as bars, all rows on one timeline.
- Who funds ELECTRONIC ARTS INTERMIX INC ↗
- Who funds WHITE BOX LTD ↗
- Who funds ANTHOLOGY FILM ARCHIVES ↗
- Who funds ROXANNE DANCE FOUNDATION INC ↗
- Who funds THE ASPEN INSTITUTE INC ↗
- Who funds NEW YORK CITY BALLET INC ↗
- Who funds DIA CENTER FOR THE ARTS INC ↗
- Who funds THE KOREA SOCIETY ↗
- Who funds EARLY TELEVISION FOUNDATION ↗
- Who funds THE CORPORATION OF YADDO ↗
How much its grantees rely on government
Each dot is one organization Shigeko Kubota Video Art Foundation Inc funds: left to right is the share of its income from government, bottom to top the share from Shigeko Kubota Video Art Foundation Inc. Bigger dots raise more.
How this is measured
Play a game based on Shigeko Kubota Video Art’s filings →