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Verdun, QC · Public foundation

Fondation Père Lindsay

Organisation de concerts-bénéfice afin de receuillir des fonds pour le camps musical de lanaudière offrir des bourses à de jeunes musciens ainsi que de la formation.

C$70k
Granted FY2024still arriving
6
Grants FY2024still arriving
1
Regions reached
C$35k
Largest
01What you fundRead
02Your edgeRead
03Your fieldRead
01What you fund
01FY2024 · 6 grants

Where the money goes

Your grants by size, and where they go.

By grant size · FY2024

  • Under C$10k3 grants · C$15k
  • C$10k–50k3 grants · C$55k
C$10,000
Median grant
1
Regions reached
C$1.8M
Total assets
Largest grants
RecipientAmount
CAMP MUSICAL PÈRE LINDSAYC$35,000
FESTIVAL DE LANAUDIÈREC$10,000
FONDATION DE LA PLACE DES ARTSC$10,000
ORCHESTRE MÉTROPOLITAINC$5,281
ORFORD MUSIQUEC$5,000
LE DOMAINE FORGET DE CHARLEVOIX INC.C$5,000
02Your edge
repeat funding

Who you back again

Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.

95%of every dollar goes to organizations you’ve funded before.
C$383k · 8 repeat orgsC$21k to everyone else

8 repeat relationships — 6 still active in FY2024, 2 since wound down.

How the two cohorts compare

Re-uppedFunded once

Organizations

8
3

Total granted

C$383k
C$21k

Median revenue growth · since first grant

+17%
+27%

Still filing today

100%
67%

New vs renewed · share of each year

In FY2024, 100% of grant dollars renewed an existing relationship; C$0 went to new ones.

50%100%’17’18’19’20’21’22’23’24
RenewedFirst-time

First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.”

Backed again, and grew

  • CM
    CAMP MUSICAL PÈRE LINDSAY
    6× · 2018–2024 · C$202k · revenue +53%
  • FD
    FESTIVAL DE LANAUDIÈRE
    3× · 2022–2024 · C$31k · revenue +17%
  • FD
    FONDATION DE LA PLACE DES ARTS
    3× · 2022–2024 · C$30k · revenue +180%

Funded once

  • LD
    L'Académie de musique du Québec
    one grant, 2017 · C$15k · revenue +17%
  • LD
    L'Académie de musique du Québec
    one grant, 2018 · C$5k
  • OS
    ORCHESTRE SYMPHONIQUE DE MONTRÉALgraduated
    one grant, 2022 · C$1k · revenue +27%

Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent CRA filings.

03Your field

The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matches that aren’t grantees — a resemblance in what they say they do, not a recommendation.

1
Festival De Musique Vallee Des Champs

Promouvoir l'excellence dans le domaine de la musique classique en organisant un concours annuel comportant des prix et des bourses fondés pur le mérite et contribuer a l'appréciation des arts par le public en offrant des concerts annuels…

—
2
Concours Musical International De Montreal

Organiser des manifestations et des concours musicaux à caractère régional national ou international.

—
3
Musica Camerata MontrÉAl

Production de concerts de musique classique

—
4
Orchestre Symphonique des Jeunes de Montréal

Concerts de musique classique concert bénéfice concert de festival

—
5
Fondation Quebecoise Pour L'education Musicale/Quebec Musical Education Foundation

Prix décernés aux lauréats des activités suivantes: la semaine de la musique canadienne festival de musique classique de montréal

—
6
Festival De Musique De Chambre De Montreal/Montreal Chamber Music Festival

Promotion musique de chambre

—
7
Festival Clermont-Pepin

Concours de musique classique et populaire s'adressant aux jeunes musiciens(nes) de 5 à 21 ans.

—
8
Club Musical De Quebec

Production de concerts de musique classique au palais montcalm à québec

—
9
Orchestre Philharmonique Des Musiciens De MontrÉAl Opmen
—
10
Le Concours de Musique du Québec inc.

Le concours de musique du québec (cmq) organise annuellement des épreuves régionales et une finale provinciale en association avec le concours de musique du canada (cmc) pour les jeunes musiciens québécois. par un programme déterminé selon…

—
11
Ensemble Musica Orbium

Proouvoir l'organisation de manifestations artistiques à caractère musical et contribuer de façon directe et indirecte à l'essor de la culture musicale du milieu

—
12
Fondation de l'Orchestre Symphonique de Québec

Récompenser et encourager l'excellence la créativité et la détermination des artistes de la génération montante. dons à l'orchestre symphonique de québec

—

For reference, the grantee most central to the portfolio’s shape is Orchestre Symphonique De Montreal/Montreal Symphony Orchestra and the most unlike its peers is Fondation de la Place des Arts. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.

02the grantee network

10 grantees tracked through their own filings, 2017–2024.

Each one resolved to its own CRA returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.

Counted here: distinct organizations you funded across 2017–2024, not grant rows in a single year — so this will not match the grant count on the cover. 10 of the 11 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.

0
Load-bearing (≥25% of a budget)
2
Early backer (in before they grew)
10/10
Grantees still filing
6/10
Grew since you first funded

Each org by its size and your share of it — top-left is where you’re load-bearing

25%50%75%100%C$1.0MC$10Mgrantee revenue →↑ your share of their budgetCAMP MUSICAL PÈRE LINDSAY — C$201,530 over 6y, 4.5% of budgetORFORD MUSIQUE — C$45,000 over 8y, 0.3% of budgetLE DOMAINE FORGET DE CHARLEVOIX INC. — C$35,000 over 7y, 0.1% of budgetFESTIVAL DE LANAUDIÈRE — C$31,030 over 3y, 0.3% of budgetFONDATION DE LA PLACE DES ARTS — C$30,000 over 3y, 1.3% of budgetORCHESTRE MÉTROPOLITAIN — C$21,162 over 4y, 0.1% of budgetL'Académie de musique du Québec — C$15,000 over 1y, 16% of budgetC.M.C - CONCOURS DE MUSIQUE DU CANADA INC. — C$13,000 over 4y, 1.0% of budgetEnsemble contemporain de Montréal — C$6,000 over 3y, 0.5% of budgetORCHESTRE SYMPHONIQUE DE MONTRÉAL — C$1,200 over 1y, 0.0% of budget
Go grantee by grantee — a decade per org, and how each moved after you funded them

A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.

The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.

La Fondation du Grand…Fondation Sibylla Hes…The Azrieli Foundatio…Fondation Sandra et A…Fondation Philantra P…Fondation DesjardinsFondation J.A. DeseveJewish Community Foun…Fondation Pierre Desm…Fondation FrontenacConseil des arts de M…Fondation J Armand Bo…
La Fondation du Grand Montréal - The Foundation of Greater MontrealQC11.9× affinity9 shared granteesties to 11 of 11Hover any node to trace its alignments.Compare side by side →

Open a dossier: La Fondation du Grand Montréal - The Foundation of Greater Montreal · Fondation Sibylla Hesse · The Azrieli Foundation/La Fondation Azrieli · Fondation Sandra et Alain Bouchard · Fondation Philantra Philantra Foundation · Fondation Desjardins · Fondation J.A. Deseve · Jewish Community Foundation of Montreal / La Fondation Communautaire Juive de Montréal · Fondation Pierre Desmarais Belvedere · Fondation Frontenac · Conseil des arts de Montréal · Fondation J Armand Bombardier

Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.

On method. Every financial figure here is read directly from the Canada Revenue Agency’s published T3010 data — your own annual information return and the multi-year returns of the 11 grantees we resolved across every year we hold, several hundred filings in all (a different count from the grant rows on the cover, which are one fiscal year) — each linked to its source. Grantee achievements and outcomes are each organization’s own program description on its T3010; we read these as association with sustained funding — the foundation is one of several forces — suppress low-confidence name matches rather than guess, and say so where a figure rests on a single grant or filing. Not everything on this page is a filed figure, and the difference matters. Filed is what you reported on your return. Official is another government record about an organization, such as a federal award or a charity register, joined by name where no shared identifier exists. Resolved is an identity we worked out where the filing named a recipient without a BN, kept only above a measured confidence threshold. Computed is arithmetic over those, like themes, portfolio clusters and co-funder strength. Context is a statistic about a place rather than about an organization, which is what the need overlay is: it describes the area a grantee’s address sits in, not where its work lands. Inferred is drawn by a model from text, like the partnerships read out of public news and organization websites. Each is labeled where it appears. How we build these →

Generated from your T3010 annual information return for the fiscal period ending 2024-12-31, as published by the Canada Revenue Agency in 2024. Amounts are Canadian dollars, as filed and never converted. Registered as a public foundation under foundations advancing education.

Source object 890848146:2024-12-31 · View the T3010 on the CRA register

Play a game based on Fondation Père Lindsay’s filings →