TORONTO INTERNATIONAL FILM FESTIVAL INC.

What Toronto International Film Festival Inc. does

The organization over time

Each line starts at 100 in 2017, so what you read is the shape rather than the size: 150 means half as much again as 2017, 50 means half. The number beside each label in the key is where it ended. The shaded band is where the middle 50% of its peers' revenue would sit, given their growth.

Balance sheet

Total assets and total liabilities at each year end, in dollars. The largest one-year move in total assets was 2022 to 2023, from C$107M to C$95M (−11%).

How it's funded, over time

Each bar is one year's revenue split into where it came from, and every bar is the same height — these are shares, not amounts, so a year that raised twice as much looks the same size. Hover a bar for the split.

Government-grant reliance: 2017 13% · 2018 9% · 2019 10% · 2020 38% · 2021 43% · 2022 30% · 2023 11% · 2024 15%. Grants only. Government contracts and fees sit inside program revenue.

Surplus & reserves

Operating surplus or deficit each year, and months of liquidity in hand. 5 of the last 8 reported years ran a deficit.

Leadership and staff

The officers, directors, trustees and key employees listed on each return. Joined and no longer listed compare each filing with the year before, matching people by surname and first initial; a year after a gap, or a roster under three people, has no comparison.

Who funds it, year by year

2017 → 2023: the base broadened from 25 funders to 28 funders, grant income fell C$1.4M → C$1.2M.

From the CRA filings of TORONTO INTERNATIONAL FILM FESTIVAL INC.’s funders (the co-funder graph). Top 30 of 78 funders by total. Association, not causation. Trends are read to FY2023, the last fiscal year that has finished arriving. FY2024 is still being filed and is shown unshaded; it does not move any figure on this page.

How concentrated its funding is

TORONTO INTERNATIONAL FILM FESTIVAL INC. has a broad base — no single funder exceeds 27% of grant income, and it takes 4 funders to reach half.

100% of the income these shares are computed over arrives through pass-through sponsors or from payers whose filings do not say what kind of payment it is. Concentration is still measured over all of it, because the money is real; what it does not support is a claim about how many institutions have chosen to fund TORONTO INTERNATIONAL FILM FESTIVAL INC..

Largest funder’s share by year: 2017 29% · 2018 26% · 2019 22% · 2020 32% · 2021 58% · 2022 27% · 2023 27% — broadly stable.

“Effective funders” = inverse Herfindahl index (1 / Σ shareᵢ²) — the number of equal-sized funders that would give the same concentration. Trends are read to FY2023, the last fiscal year that has finished arriving. FY2024 is still being filed and is shown unshaded; it does not move any figure on this page.

How long its funders stay

33% of TORONTO INTERNATIONAL FILM FESTIVAL INC.'s funders are still giving 3 years after their first grant; 53% give in more than one year at all.

Share of funders still giving k years after their first recorded grant, pooled across every acquisition cohort. A funder counts as retained in a year only if it made a grant that year. Measured to FY2023, the last fiscal year that has finished arriving — a funder cannot be counted as lapsed in a year most filers have not reached.

Where its funders are

91% of TORONTO INTERNATIONAL FILM FESTIVAL INC.'s grant income comes from Ontario funders.

Funder regions come from each funder’s own filing. C$533k arriving through sponsors registered in 2 regions is excluded from the map and the split above: a sponsor holds money on a donor’s behalf, so its registered address would place those dollars somewhere no donor need ever have been. Trends are read to FY2023, the last fiscal year that has finished arriving. FY2024 is still being filed and is shown unshaded; it does not move any figure on this page.