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Toronto, ON · Charitable organization

Women's Musical Club of Toronto

Present music in the afternoon an annual series of chamber music concerts performed by canadian and international artists both established and emerging.

C$27k
Granted FY2024still arriving
5
Grants FY2024still arriving
1
Regions reached
C$12k
Largest
01What you fund
01FY2024 · 5 grants

Where the money goes

Your grants by size, and where they go.

By grant size · FY2024

  • Under C$10k4 grants · C$15k
  • C$10k–50k1 grant · C$12k
C$2,500
Median grant
1
Regions reached
C$129k
Total assets
Largest grants
RecipientAmount
UNIVERSITY OF TORONTOC$12,000
THE ROYAL CONSERVATORY OF MUSICC$9,750
TORONTO SUMMER MUSIC FOUNDATIONC$2,500
XENIA CONCERTS INC.C$1,500
THE HAMMER BAND-FROM VIOLENCE TO VIOLINSC$750
02Your edge
repeat funding

Who you back again

Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.

100%of every dollar goes to organizations you’ve funded before.
C$175k · 6 repeat orgsC$0 to everyone else

6 repeat relationships — 5 still active in FY2024, 1 since wound down.

How the two cohorts compare

Re-uppedFunded once

Organizations

6
0

Total granted

C$175k
C$0

Still filing today

100%
0%

New vs renewed · share of each year

In FY2024, 100% of grant dollars renewed an existing relationship; C$0 went to new ones.

50%100%’19’20’21’22’23’24
RenewedFirst-time

First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.”

Backed again, and grew

  • UO
    UNIVERSITY OF TORONTO
    5× · 2020–2024 · C$60k · revenue +39%
  • WM
    WOMEN'S MUSICAL CLUB OF TORONTO FOUNDATION
    2× · 2019–2023 · C$47k · revenue +113% · 45% of their budget
  • TR
    THE ROAYAL CONSERVATORY OF MUSIC
    4× · 2020–2024 · C$46k · revenue +0%

Funded once

    Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent CRA filings.

    03Your field
    02the grantee network

    6 grantees tracked through their own filings, 2017–2024.

    Each one resolved to its own CRA returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.

    Counted here: distinct organizations you funded across 2017–2024, not grant rows in a single year — so this will not match the grant count on the cover.

    1
    Load-bearing (≥25% of a budget)
    2
    Early backer (in before they grew)
    6/6
    Grantees still filing
    5/6
    Grew since you first funded

    Each org by its size and your share of it — top-left is where you’re load-bearing

    25%50%75%100%C$1.0MC$10MC$100Mgrantee revenue →↑ your share of their budgetUNIVERSITY OF TORONTO — C$60,000 over 5y, 0.0% of budgetWOMEN'S MUSICAL CLUB OF TORONTO FOUNDATION — C$47,000 over 2y, 45% of budgetTHE ROAYAL CONSERVATORY OF MUSIC — C$45,750 over 4y, 0.0% of budgetTHE ROYAL CONSERVATORY OF MUSIC — C$17,000 over 3y, 0.9% of budgetXENIA CONCERTS INC. — C$3,000 over 2y, 0.4% of budgetTHE HAMMER BAND-FROM VIOLENCE TO VIOLINS — C$2,250 over 2y, 0.8% of budget
    Go grantee by grantee — a decade per org, and how each moved after you funded them

    A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.

    The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a set of overlaps that mostly run through you, not between each other.

    Canadahelps CanadonON2.6× affinity4 shared granteesties to 0 of 0Hover any node to trace its alignments.Compare side by side →

    Open a dossier: Canadahelps Canadon

    Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.

    On method. Every financial figure here is read directly from the Canada Revenue Agency’s published T3010 data — your own annual information return and the multi-year returns of the 6 grantees we resolved across every year we hold, several hundred filings in all (a different count from the grant rows on the cover, which are one fiscal year) — each linked to its source. Grantee achievements and outcomes are each organization’s own program description on its T3010; we read these as association with sustained funding — the foundation is one of several forces — suppress low-confidence name matches rather than guess, and say so where a figure rests on a single grant or filing. Not everything on this page is a filed figure, and the difference matters. Filed is what you reported on your return. Official is another government record about an organization, such as a federal award or a charity register, joined by name where no shared identifier exists. Resolved is an identity we worked out where the filing named a recipient without a BN, kept only above a measured confidence threshold. Computed is arithmetic over those, like themes, portfolio clusters and co-funder strength. Context is a statistic about a place rather than about an organization, which is what the need overlay is: it describes the area a grantee’s address sits in, not where its work lands. Inferred is drawn by a model from text, like the partnerships read out of public news and organization websites. Each is labeled where it appears. How we build these →

    Generated from your T3010 annual information return for the fiscal period ending 2024-06-30, as published by the Canada Revenue Agency in 2024. Amounts are Canadian dollars, as filed and never converted. Registered as a charitable organization under arts.

    Source object 123718637:2024-06-30 · View the T3010 on the CRA register

    Play a game based on Women's Musical Club of Toronto’s filings →