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Etobicoke, ON · Private foundation

The Youssef-Warren Foundation

Consistent with the foundation’s objectives donations were made to qualified donees in support of the arts environment and health programs.

C$4k
Granted FY2024still arriving
3
Grants FY2024still arriving
2
Regions reached
C$2k
Largest
01What you fund
01FY2024 · 3 grants

Where the money goes

Your grants by size, and where they go.

C$953
Median grant
2
Regions reached
C$93k
Total assets
Largest grants
RecipientAmount
NEWORLD THEATRE SOCIETYC$1,906
UNIVERSITY OF TORONTO TEMERTY SCHOOL OF FACULTY OF MEDICINEC$953
ORANGUTAN FOUNDATION INTERNATIONAL CANADAC$953
02Your edge
repeat funding

Who you back again

Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.

90%of every dollar goes to organizations you’ve funded before.
C$4.5M · 18 repeat orgsC$501k to everyone else

And the relationships you keep tend to grow: grantees you re-up on have seen median revenue of +43% since the first grant, against +7% for the ones you funded once.

18 repeat relationships — 3 still active in FY2024, 15 since wound down.

How the two cohorts compare

Re-uppedFunded once

Organizations

18
8

Total granted

C$4.5M
C$501k

Median revenue growth · since first grant

+43%
+7%

Still filing today

100%
100%

New vs renewed · share of each year

In FY2024, 100% of grant dollars renewed an existing relationship; C$0 went to new ones.

50%100%’17’18’19’20’21’22’23’24
RenewedFirst-time

First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.”

Backed again, and grew

  • UO
    UNIVERSITY OF TORONTO TEMERTY SCHOOL OF FACULTY OF MEDICINE
    8× · 2017–2024 · C$752k · revenue +43%
  • TJ
    THE JANE GOODALL INSTITUTE OF CANADA
    7× · 2017–2023 · C$590k · revenue +88%
  • LW
    LEWA WILDLIFE CONSERVANCY (CANADA)
    6× · 2018–2023 · C$505k · revenue +137% · 52% of their budget

Funded once

  • TS
    THE SIMINOVITCH PRIZE FOUNDATION
    one grant, 2023 · C$100k · revenue +23%
  • WN
    WHY NOT THEATRE
    one grant, 2023 · C$75k · revenue -40%
  • TR
    THEATRE REPLACEMENT SOCIETY
    one grant, 2023 · C$75k · revenue -8%

Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent CRA filings.

03Your field

The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matches that aren’t grantees — a resemblance in what they say they do, not a recommendation.

1
The Chop Theatre Society

The Chop is a Vancouver-based theatre organization that brings together artists to create new works of theatre for audiences locally across Canada and internationally. The organization often works with communities and individuals who are…

—
2
Theatre Gargantua Inc.

Theatre gargantua is one of canada's leading multi-disciplinary theatre companies. each year we develop original canadian work through a collaborative ensemble-based process. our productions undergo rigorous phases of development and we…

—
3
Vancouver Asian Canadian Theatre

We are one of the only two theatre companies in Canada that exclusively creates develops and produces new Asian Canadian work. We bring artistic excellence from the pan-Asian diaspora uplifting narratives previously unseen. We also provide…

—
4
Theatrefront Inc.

1) Development of new plays 2) Touring in Canada 3) Education programs

—
5
Toronto Dance Theatre

Toronto Dance Theatre (TDT) is a professional contemporary dance company dedicated to the research creation and production of original Canadian choreography. TDT bridges connections between artists and audiences in Toronto and beyond…

—
6
Eclipse Theatre Company

Eclipse Theatre Company develops new Canadian musicals in live venues.

—
7
The Factory Theatre Lab

Develop produce and present canadian plays thereby supporting and nourishing the canadian theatre scene playwrights and actors with a focus on supporting artists from diverse communities - provide artists support through development…

—
8
The Purple Theatre Company

Produced original canadian theatre

—
9
Nightswimming Repertory Theatre

Development and producing of Canadian theatre. We continue to commission and develop Canadian plays and contribute to the wider theatre community.

—
10
Actors Repertory Company

Arc is an ensemble-based company that produces contemporary international theatre in a multinational city. we take a rigorous bold socially active and highly collaborative approach to producing thought-provoking international works in…

—
11
The Alberta Theatre Projects Society

Alberta Theatre Projects is a Calgary- based not-for-profit professional theatre organization that celebrates the art of live theatre. From our home in the Martha Cohen Theatre we create world class contemporary theatre with a focus on…

—
12
The Arts Club of Vancouver Theatre Society

The arts club theatre company is canada's largest urban not for profit theatre company producing up to 20 productions with over 700 performances each seson in vancouver and throughout the province of bc. our values are deeply rooted in our…

—

For reference, the grantee most central to the portfolio’s shape is Tarragon Theatre and the most unlike its peers is Oakville Hospital Foundation. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.

02the grantee network

26 grantees tracked through their own filings, 2017–2024.

Each one resolved to its own CRA returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.

Counted here: distinct organizations you funded across 2017–2024, not grant rows in a single year — so this will not match the grant count on the cover.

3
Load-bearing (≥25% of a budget)
7
Early backer (in before they grew)
26/26
Grantees still filing
18/26
Grew since you first funded

Each org by its size and your share of it — top-left is where you’re load-bearing

25%50%75%100%C$1.0MC$10MC$100Mgrantee revenue →↑ your share of their budgetUNIVERSITY OF TORONTO TEMERTY SCHOOL OF FACULTY OF MEDICINE — C$752,119 over 8y, 0.0% of budgetTHE JANE GOODALL INSTITUTE OF CANADA — C$590,430 over 7y, 13% of budgetLEWA WILDLIFE CONSERVANCY (CANADA) — C$505,000 over 6y, 52% of budgetEARTH RANGERS — C$475,000 over 7y, 4.4% of budgetNEWORLD THEATRE SOCIETY — C$399,473 over 8y, 35% of budgetTHE COUCHICHING CONSERVANCY — C$395,500 over 6y, 18% of budgetORANGUTAN FOUNDATION INTERNATIONAL CANADA — C$357,986 over 5y, 21% of budgetTARRAGON THEATRE — C$322,000 over 7y, 8.2% of budgetACCLAIM HEALTH — C$185,250 over 4y, 0.4% of budgetOAKVILLE SYMPHONY — C$181,000 over 7y, 46% of budgetOakville Hospital — C$159,000 over 5y, 0.4% of budgetTHE SIMINOVITCH PRIZE FOUNDATION — C$100,000 over 1y, 21% of budgetWHY NOT THEATRE — C$75,000 over 1y, 2.0% of budgetCanadian Opera Company — C$75,000 over 6y, 0.1% of budgetTHEATRE REPLACEMENT SOCIETY — C$75,000 over 1y, 7.8% of budgetNIGHTWOOD THEATRE — C$75,000 over 1y, 10% of budgetELECTRIC COMPANY THEATRE SOCIETY — C$75,000 over 1y, 15% of budgetRAINCOAST CONSERVATION FOUNDATION — C$55,000 over 2y, 0.6% of budgetCROWS THEATRE — C$50,000 over 1y, 1.0% of budgetVANCOUVER EAST CULTURAL CENTRE — C$50,000 over 1y, 1.1% of budgetPLAYWRIGHTS THEATRE CENTER — C$21,000 over 3y, 3.1% of budgetIAN ANDERSON HOUSE — C$20,900 over 3y, 0.7% of budgetPHILANTHROPIC FOUNDATIONS CANADA — C$13,600 over 5y, 0.6% of budgetVANCOUVER LATIN AMERICAN CULTURAL CENTRE — C$13,000 over 3y, 2.9% of budgetRumble Productions — C$12,500 over 2y, 3.0% of budgetCrohn's & Colitis — C$500 over 1y, 0.0% of budget
Go grantee by grantee — a decade per org, and how each moved after you funded them

A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.

The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.

The McLean FoundationON11.9× affinity9 shared granteesties to 11 of 11Hover any node to trace its alignments.Compare side by side →

Open a dossier: The McLean Foundation · Ontario Arts Foundation/Fondation Des Arts de L'Ontario · The Hamber Foundation · Kingfisher Foundation · Aqueduct Foundation · Vancity Community Foundation · BenefAction Foundation · Rbc Foundation/Rbc Fondation · Canada Gives · Toronto Foundation · The Council for Business and the Arts in Canada · The Bulmash-Siegel Private Foundation

Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.

On method. Every financial figure here is read directly from the Canada Revenue Agency’s published T3010 data — your own annual information return and the multi-year returns of the 26 grantees we resolved across every year we hold, several hundred filings in all (a different count from the grant rows on the cover, which are one fiscal year) — each linked to its source. Grantee achievements and outcomes are each organization’s own program description on its T3010; we read these as association with sustained funding — the foundation is one of several forces — suppress low-confidence name matches rather than guess, and say so where a figure rests on a single grant or filing. Not everything on this page is a filed figure, and the difference matters. Filed is what you reported on your return. Official is another government record about an organization, such as a federal award or a charity register, joined by name where no shared identifier exists. Resolved is an identity we worked out where the filing named a recipient without a BN, kept only above a measured confidence threshold. Computed is arithmetic over those, like themes, portfolio clusters and co-funder strength. Context is a statistic about a place rather than about an organization, which is what the need overlay is: it describes the area a grantee’s address sits in, not where its work lands. Inferred is drawn by a model from text, like the partnerships read out of public news and organization websites. Each is labeled where it appears. How we build these →

Generated from your T3010 annual information return for the fiscal period ending 2024-10-31, as published by the Canada Revenue Agency in 2024. Amounts are Canadian dollars, as filed and never converted. Registered as a private foundation under foundations.

Source object 871187092:2024-10-31 · View the T3010 on the CRA register

Play a game based on Youssef-Warren’s filings →