Etobicoke, ON · Private foundation
The Youssef-Warren Foundation
Consistent with the foundation’s objectives donations were made to qualified donees in support of the arts environment and health programs.
Where the money goes
Your grants by size, and where they go.
| Recipient | Amount |
|---|---|
| NEWORLD THEATRE SOCIETY | C$1,906 |
| UNIVERSITY OF TORONTO TEMERTY SCHOOL OF FACULTY OF MEDICINE | C$953 |
| ORANGUTAN FOUNDATION INTERNATIONAL CANADA | C$953 |
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
And the relationships you keep tend to grow: grantees you re-up on have seen median revenue of +43% since the first grant, against +7% for the ones you funded once.
18 repeat relationships — 3 still active in FY2024, 15 since wound down.
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2024, 100% of grant dollars renewed an existing relationship; C$0 went to new ones.
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.”
Backed again, and grew
- UOUNIVERSITY OF TORONTO TEMERTY SCHOOL OF FACULTY OF MEDICINE8× · 2017–2024 · C$752k · revenue +43%
- TJTHE JANE GOODALL INSTITUTE OF CANADA7× · 2017–2023 · C$590k · revenue +88%
- LWLEWA WILDLIFE CONSERVANCY (CANADA)6× · 2018–2023 · C$505k · revenue +137% · 52% of their budget
Funded once
- TSTHE SIMINOVITCH PRIZE FOUNDATIONone grant, 2023 · C$100k · revenue +23%
- WNWHY NOT THEATREone grant, 2023 · C$75k · revenue -40%
- TRTHEATRE REPLACEMENT SOCIETYone grant, 2023 · C$75k · revenue -8%
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent CRA filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matches that aren’t grantees — a resemblance in what they say they do, not a recommendation.
The Chop is a Vancouver-based theatre organization that brings together artists to create new works of theatre for audiences locally across Canada and internationally. The organization often works with communities and individuals who are…
Theatre gargantua is one of canada's leading multi-disciplinary theatre companies. each year we develop original canadian work through a collaborative ensemble-based process. our productions undergo rigorous phases of development and we…
We are one of the only two theatre companies in Canada that exclusively creates develops and produces new Asian Canadian work. We bring artistic excellence from the pan-Asian diaspora uplifting narratives previously unseen. We also provide…
1) Development of new plays 2) Touring in Canada 3) Education programs
Toronto Dance Theatre (TDT) is a professional contemporary dance company dedicated to the research creation and production of original Canadian choreography. TDT bridges connections between artists and audiences in Toronto and beyond…
Eclipse Theatre Company develops new Canadian musicals in live venues.
Develop produce and present canadian plays thereby supporting and nourishing the canadian theatre scene playwrights and actors with a focus on supporting artists from diverse communities - provide artists support through development…
Produced original canadian theatre
Development and producing of Canadian theatre. We continue to commission and develop Canadian plays and contribute to the wider theatre community.
Arc is an ensemble-based company that produces contemporary international theatre in a multinational city. we take a rigorous bold socially active and highly collaborative approach to producing thought-provoking international works in…
Alberta Theatre Projects is a Calgary- based not-for-profit professional theatre organization that celebrates the art of live theatre. From our home in the Martha Cohen Theatre we create world class contemporary theatre with a focus on…
The arts club theatre company is canada's largest urban not for profit theatre company producing up to 20 productions with over 700 performances each seson in vancouver and throughout the province of bc. our values are deeply rooted in our…
For reference, the grantee most central to the portfolio’s shape is Tarragon Theatre and the most unlike its peers is Oakville Hospital Foundation. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
26 grantees tracked through their own filings, 2017–2024.
Each one resolved to its own CRA returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2024, not grant rows in a single year — so this will not match the grant count on the cover.
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds UNIVERSITY OF TORONTO TEMERTY SCHOOL OF FACULTY OF MEDICINE ↗
- Who funds THE JANE GOODALL INSTITUTE OF CANADA ↗
- Who funds LEWA WILDLIFE CONSERVANCY (CANADA) ↗
- Who funds EARTH RANGERS ↗
- Who funds NEWORLD THEATRE SOCIETY ↗
- Who funds THE COUCHICHING CONSERVANCY ↗
- Who funds ORANGUTAN FOUNDATION INTERNATIONAL CANADA ↗
- Who funds TARRAGON THEATRE ↗
- Who funds ACCLAIM HEALTH ↗
- Who funds OAKVILLE SYMPHONY ↗
- Who funds Oakville Hospital ↗
- Who funds THE SIMINOVITCH PRIZE FOUNDATION ↗
- Who funds WHY NOT THEATRE ↗
- Who funds Canadian Opera Company ↗
- Who funds THEATRE REPLACEMENT SOCIETY ↗
- Who funds NIGHTWOOD THEATRE ↗
- Who funds ELECTRIC COMPANY THEATRE SOCIETY ↗
- Who funds RAINCOAST CONSERVATION FOUNDATION ↗
- Who funds CROWS THEATRE ↗
- Who funds VANCOUVER EAST CULTURAL CENTRE ↗
- Who funds PLAYWRIGHTS THEATRE CENTER ↗
- Who funds IAN ANDERSON HOUSE ↗
- Who funds PHILANTHROPIC FOUNDATIONS CANADA ↗
- Who funds VANCOUVER LATIN AMERICAN CULTURAL CENTRE ↗
- Who funds Rumble Productions ↗
- Who funds Crohn's & Colitis ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: The McLean Foundation · Ontario Arts Foundation/Fondation Des Arts de L'Ontario · The Hamber Foundation · Kingfisher Foundation · Aqueduct Foundation · Vancity Community Foundation · BenefAction Foundation · Rbc Foundation/Rbc Fondation · Canada Gives · Toronto Foundation · The Council for Business and the Arts in Canada · The Bulmash-Siegel Private Foundation
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.