Toronto, ON · Private foundation
The Renette and David Berman Family Foundation
Making of gifts and grants to qualified and non-qualified donees (cultural and relief of poverty donees)
Where the money goes
Your grants by size, and where they go.
By grant size · FY2023
- Under C$10k3 grants · C$3k
- C$10k–50k2 grants · C$35k
- C$50k–250k4 grants · C$300k
| Recipient | Amount |
|---|---|
| ROYAL CONSERVATORY OF MUSIC | C$100,000 |
| CANADA'S NATIONAL BALLET SCHOOL | C$100,000 |
| FALL FOR DANCE NORTH FESTIVAL INC | C$50,000 |
| ART GALLERY OF ONTARIO | C$50,000 |
| FRIENDS OF SIMON WIESENTHAL | C$25,000 |
| COLLINGWOOD GENERAL & MARINE HOSPITAL FOUNDATION | C$10,000 |
| CANADA HELPS | C$1,820 |
| THE PEOPLE BRIDGE | C$1,000 |
| TORONTO FESTIVAL OF ARTS CULTURAL AND CREATIVITY | C$500 |
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
And the relationships you keep tend to grow: grantees you re-up on have seen median revenue of +26% since the first grant, against +12% for the ones you funded once.
10 repeat relationships — 6 still active in FY2023, 4 since wound down; 3 grantees were first funded in FY2023 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2023, 96% of grant dollars renewed an existing relationship; C$13k went to new ones.
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.”
Backed again, and grew
- UFUJA Federation of Greater Toronto4× · 2017–2020 · C$436k · revenue +98%
- RCROYAL CONSERVATORY OF MUSIC6× · 2017–2023 · C$415k · revenue +17%
- CNCANADA'S NATIONAL BALLET SCHOOL4× · 2020–2023 · C$263k · revenue +6%
Funded once
- TSToronto Symphony Orchestraone grant, 2017 · C$298k · revenue +12%
- NANational Arts Centre Foundationone grant, 2018 · C$68k · revenue -22%
- TCTHE CORPORATION OF MASSEY HALLone grant, 2021 · C$50k · revenue -31%
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent CRA filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matches that aren’t grantees — a resemblance in what they say they do, not a recommendation.
The Toronto Symphony Foundation (TSF) was incorporated to aid the Toronto Symphony in the advancement of Orchestral Music. The TSF receives administers and invests gifts and makes annual distributions to The Toronto Symphony.
Provides finanical support to artists and arts organizations in toronto. offers awards ad commissions recognizing artistic excellence. administers donor-directed funds and special initiatives supporting public engagement artist recognition…
The Foundation continues to support the charitable activities of the Corporation of Massey Hall and Roy Thomson Hall.
The Siminovitch Prize Foundation celebrates inspires convenes and connects theatre artists on a national stage across disciplines geography and language groups. Its portfolio of programs helps groundbreaking artists thrive creatively and…
Jewish Music Week is an exciting week of concerts recitals and musical events throughout the Greater Toronto Area. Founded in 2011 the festival celebrates all styles of Jewish music as well as the Jewish contribution to mainstream genres…
Toronto Dance Theatre (TDT) is a professional contemporary dance company dedicated to the research creation and production of original Canadian choreography. TDT bridges connections between artists and audiences in Toronto and beyond…
The Mozart Project is a nationally recognized charitable organization inspired by the universality accessibility diversity and beauty of Mozart’s vast repertoire. The Mozart Project operates the Toronto Mozart Players a professional…
Canadian Opera Foundation acquires holds and applies funds to assist in the development of the Canadian Opera Company and any successor organization as determined by the Board of Directors.
Raises funds through music concerts publishes jewish music provides educational seminars and assists others in music studies and provides scholarships to canadian cantorial students
To educate and increase the public's understanding and appreciation of the arts by conserving and exhibiting works of art and otherwise making them available to the public; to educate and increase canadians' israelis' and the public's…
The purpose of the organization is to create a first class international visual arts biennal for the city of toronto; art festival 72 days in length engaging youth families artists communities and professionals in the arts while building…
For reference, the grantee most central to the portfolio’s shape is Canadian Friends of the Israel Museum and the most unlike its peers is The People Bridge Charitable Foundation. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
21 grantees tracked through their own filings, 2017–2024.
Each one resolved to its own CRA returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2024, not grant rows in a single year — so this will not match the grant count on the cover. 21 of the 22 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds UJA Federation of Greater Toronto ↗
- Who funds ROYAL CONSERVATORY OF MUSIC ↗
- Who funds Toronto Symphony Orchestra ↗
- Who funds CANADA'S NATIONAL BALLET SCHOOL ↗
- Who funds ART GALLERY OF ONTARIO ↗
- Who funds FALL FOR DANCE NORTH FESTIVAL INC ↗
- Who funds FRIENDS OF SIMON WIESENTHAL ↗
- Who funds Toronto Festival of Arts Culture and Creativity ↗
- Who funds National Arts Centre Foundation ↗
- Who funds THE CORPORATION OF MASSEY HALL ↗
- Who funds Toronto Jewish Film Foundation ↗
- Who funds The Glenn Gould Foundation ↗
- Who funds Save a Child's Heart Foundation Canada ↗
- Who funds The National Ballet of Canada ↗
- Who funds COLLINGWOOD GENERAL & MARINE HOSPITAL FOUNDATION ↗
- Who funds Kehilla Residential Programme ↗
- Who funds Canadian Friends of the Israel Museum ↗
- Who funds Facing History and Ourselves ↗
- Who funds The Toronto Heschel School ↗
- Who funds CANADA HELPS ↗
- Who funds THE PEOPLE BRIDGE ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: The Azrieli Foundation/La Fondation Azrieli · Jewish Foundation of Greater Toronto · Toronto Foundation · The Delaney Family Foundation · The Linda Frum & Howard Sokolowski Charitable Foundation · Hal Jackman Foundation · The George Cedric Metcalf Charitable Foundation · Jackman Foundation · The Michael and Sonja Koerner Charitable Foundation · Private Giving Foundation · The Dh Gales Family Charitable Foundation of Toronto · Larry and Judy Tanenbaum Family Foundation
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.