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Canadian charitiesAlso receives grants — funding profile →

Toronto, ON · Private foundation

The Peter and Eleanor Daniels Foundation

Donations were made to various charities

C$96k
Granted FY2024still arriving
11
Grants FY2024still arriving
1
Regions reached
C$30k
Largest
01What you fundRead
02Your edgeRead
03Your fieldRead
01What you fund
01FY2024 · 11 grants

Where the money goes

Your grants by size, and where they go.

By grant size · FY2024

  • Under C$10k7 grants · C$18k
  • C$10k–50k4 grants · C$78k
C$2,500
Median grant
1
Regions reached
C$2.4M
Total assets
Largest grants
RecipientAmount
UNITED JEWISH APPEAL OF GREATER TORONTOC$30,000
THE BISHOP STRACHAN SCHOOLC$20,000
ISRAEL CANCER RESEARCH FUNDC$18,000
BEN-GURION UNIVERSITYC$10,000
THE CANADIAN CHILDREN'S BOOK CENTREC$7,500
KAYLA'S CHILDREN'S CENTREC$2,500
AQUARIUS THEATREC$2,500
THE COAL MINE THEATREC$2,500
THE MUSICAL STAGE COMPANYC$1,500
THE CANADIAN SOCIETY OF CHILDREN'S AUTHORS ILLUSTRATORS ANDC$1,000
THE ROYAL CONSERVATORYC$500
02Your edge
repeat funding

Who you back again

Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.

89%of every dollar goes to organizations you’ve funded before.
C$648k · 18 repeat orgsC$80k to everyone else

And the relationships you keep tend to grow: grantees you re-up on have seen median revenue of +14% since the first grant, against +8% for the ones you funded once.

18 repeat relationships — 7 still active in FY2024, 11 since wound down; 4 grantees were first funded in FY2024 (too recent to call).

How the two cohorts compare

Re-uppedFunded once

Organizations

18
14

Total granted

C$648k
C$47k

Median revenue growth · since first grant

+14%
+8%

Still filing today

94%
64%

New vs renewed · share of each year

In FY2024, 66% of grant dollars renewed an existing relationship; C$33k went to new ones.

50%100%’17’18’19’20’21’22’23’24
RenewedFirst-time

First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.”

Backed again, and grew

  • UJ
    UNITED JEWISH APPEAL OF GREATER TORONTO
    5× · 2018–2024 · C$155k · revenue +88%
  • TS
    Temple Sinai Congregation of Toronto
    5× · 2017–2021 · C$139k · revenue +19%
  • CT
    CROW'S THEATRE
    5× · 2018–2023 · C$42k · revenue +269%

Funded once

  • CT
    CROW'S THEATRE
    one grant, 2020 · C$10k
  • WL
    World Literacy Canada
    one grant, 2017 · C$5k
  • T
    TIFF
    one grant, 2021 · C$5k

Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent CRA filings.

03Your field

The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matches that aren’t grantees — a resemblance in what they say they do, not a recommendation.

1
Siminovitch Theatre Foundation

The Siminovitch Prize Foundation celebrates inspires convenes and connects theatre artists on a national stage across disciplines geography and language groups. Its portfolio of programs helps groundbreaking artists thrive creatively and…

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2
Theatre Ontario

Youth theatre and professional theatre training programs, summer courses for adults and youth, professional development seminars, annual festival, showcases for emerging artists, and workshops for community theatres.

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3
Toronto Festival of Arts Culture and Creativity

The festival operating under the trade name Luminato presents an annual multi-disciplinary arts festival in Toronto each June. We present both free and ticketed events in theatre classical and contemporary music dance and visual arts by…

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4
Why Not Theatre

Why not theatre is an agile international theatre company based in toronto canada rooted in the values of innovation community and collaboration. our work is inventive cross-cultural and reflects our passion for the exploration of…

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5
The Canadian Stage Corporation

Canadian stage produces and presents a series of contemporary performance productions at the bluma appel theatre and the berkeley street theatre. in addition the company producers shakespearean plays every summer in high park on a…

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6
Theatre Gargantua Inc.

Theatre gargantua is one of canada's leading multi-disciplinary theatre companies. each year we develop original canadian work through a collaborative ensemble-based process. our productions undergo rigorous phases of development and we…

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7
Toronto Dance Theatre

Toronto Dance Theatre (TDT) is a professional contemporary dance company dedicated to the research creation and production of original Canadian choreography. TDT bridges connections between artists and audiences in Toronto and beyond…

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8
The Purple Theatre Company

Produced original canadian theatre

—
9
Theatrefront Inc.

1) Development of new plays 2) Touring in Canada 3) Education programs

—
10
The Fringe of Toronto Theatre Festival

The Toronto Fringe produces two annual festivals every year. The Toronto Fringe Festival runs the first two weeks of July and presents over 80 productions at venues across the city of Toronto. The festival includes KidsFest which offers…

—
11
Tarragon Theatre

Tarrgon theater creates develops and produces new canadian theatre that illuminates the diversity and complexsity of the conteporary human experence. tarragon trains and supports new generation emerging and established artist theorug…

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12
Jon Kaplan Legacy Fund

Advancement of excellence in canadian theatre by maleiry grants and awards to theatre artists in canada.

—

For reference, the grantee most central to the portfolio’s shape is The Musical Stage Company and the most unlike its peers is Hot Docs. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.

02the grantee network

31 grantees tracked through their own filings, 2017–2024.

Each one resolved to its own CRA returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.

Counted here: distinct organizations you funded across 2017–2024, not grant rows in a single year — so this will not match the grant count on the cover. 31 of the 36 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.

0
Load-bearing (≥25% of a budget)
2
Early backer (in before they grew)
30/31
Grantees still filing
17/31
Grew since you first funded

Each org by its size and your share of it — top-left is where you’re load-bearing

25%50%75%100%C$1.0MC$10MC$100Mgrantee revenue →↑ your share of their budgetTHE BISHOP STRACHAN SCHOOL — C$162,017 over 7y, 1.2% of budgetUNITED JEWISH APPEAL OF GREATER TORONTO — C$155,000 over 5y, 0.0% of budgetTemple Sinai Congregation of Toronto — C$138,821 over 5y, 2.5% of budgetCROW'S THEATRE — C$41,500 over 5y, 0.4% of budgetNATIONAL BALLET OF CANADA — C$41,310 over 4y, 0.0% of budgetTHE CANADIAN CHILDREN'S BOOK CENTRE — C$22,500 over 3y, 0.4% of budgetTORONTO PUBLIC LIBRARY FOUNDATION — C$21,950 over 4y, 0.2% of budgetISRAEL CANCER RESEARCH FUND — C$18,000 over 1y, 0.7% of budgetBEN-GURION UNIVERSITY — C$10,000 over 1y, 0.0% of budgetHarold Green Jewish Theatre Company — C$7,480 over 2y, 0.6% of budgetTHE CANADIAN SOCIETY OF CHILDREN'S AUTHORS ILLUSTRATORS AND — C$7,000 over 7y, 0.9% of budgetECLIPSE THEATRE — C$6,000 over 2y, 2.6% of budgetTHE ROYAL CONSERVATORY — C$5,500 over 2y, 0.0% of budgetWorld Literacy Canada — C$5,000 over 1y, 1.2% of budgetCHILDREN'S AID FOUNDATION OF CANADA — C$5,000 over 1y, 0.0% of budgetART OF TIME ENSEMBLE — C$5,000 over 1y, 1.1% of budgetTHE COAL MINE THEATRE — C$4,000 over 2y, 0.2% of budgetCANADIAN MEDIA EDUCATION FOUNDATION — C$3,917 over 1y, 2.4% of budgetHOPE STORY — C$3,780 over 2y, 0.2% of budgetEDWARD & SUZANNE ROGERS FOUNDATION — C$3,410 over 2y, 0.1% of budgetStatford Festival of Canada — C$3,250 over 2y, 0.0% of budgetTHE MUSICAL STAGE COMPANY — C$3,000 over 2y, 0.1% of budgetAQUARIUS THEATRE — C$2,500 over 1y, 0.0% of budgetPEN Canada — C$2,500 over 1y, 0.7% of budgetKAYLA'S CHILDREN'S CENTRE — C$2,500 over 1y, 0.0% of budgetKoffler Centre of Arts — C$2,500 over 1y, 0.1% of budgetJewish Family and Child — C$1,800 over 1y, 0.0% of budgetFriends of Simon Wiesenthal Centre — C$1,536 over 2y, 0.0% of budgetHOT DOCS — C$1,500 over 1y, 0.0% of budgetFACTORY THEATRE — C$1,500 over 1y, 0.1% of budgetWT OF CANADA — C$1,000 over 1y, 0.1% of budget
Go grantee by grantee — a decade per org, and how each moved after you funded them

A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.

The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.

The Slaight Family Fo…The George Cedric Met…Jewish Foundation of …Ontario Arts Foundati…The Murray Frum Found…Canada GivesToronto FoundationAbundance CanadaThe Catherine and Max…The Bulmash-Siegel Pr…Kingfisher FoundationThe Fleck Family Foun…
The Slaight Family FoundationON12.1× affinity8 shared granteesties to 11 of 11Hover any node to trace its alignments.Compare side by side →

Open a dossier: The Slaight Family Foundation · The George Cedric Metcalf Charitable Foundation · Jewish Foundation of Greater Toronto · Ontario Arts Foundation/Fondation Des Arts de L'Ontario · The Murray Frum Foundation · Canada Gives · Toronto Foundation · Abundance Canada · The Catherine and Maxwell Meighen Foundation · The Bulmash-Siegel Private Foundation · Kingfisher Foundation · The Fleck Family Foundation

Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.

On method. Every financial figure here is read directly from the Canada Revenue Agency’s published T3010 data — your own annual information return and the multi-year returns of the 36 grantees we resolved across every year we hold, several hundred filings in all (a different count from the grant rows on the cover, which are one fiscal year) — each linked to its source. Grantee achievements and outcomes are each organization’s own program description on its T3010; we read these as association with sustained funding — the foundation is one of several forces — suppress low-confidence name matches rather than guess, and say so where a figure rests on a single grant or filing. Not everything on this page is a filed figure, and the difference matters. Filed is what you reported on your return. Official is another government record about an organization, such as a federal award or a charity register, joined by name where no shared identifier exists. Resolved is an identity we worked out where the filing named a recipient without a BN, kept only above a measured confidence threshold. Computed is arithmetic over those, like themes, portfolio clusters and co-funder strength. Context is a statistic about a place rather than about an organization, which is what the need overlay is: it describes the area a grantee’s address sits in, not where its work lands. Inferred is drawn by a model from text, like the partnerships read out of public news and organization websites. Each is labeled where it appears. How we build these →

Generated from your T3010 annual information return for the fiscal period ending 2024-12-31, as published by the Canada Revenue Agency in 2024. Amounts are Canadian dollars, as filed and never converted. Registered as a private foundation under foundations.

Source object 888881869:2024-12-31 · View the T3010 on the CRA register

Play a game based on Peter and Eleanor Daniels’ filings →