Toronto, ON · Private foundation
The Clearview Foundation
The foundation provides funds to qualified donees.
Where the money goes
Your grants by size, and where they go.
By grant size · FY2024
- Under C$10k2 grants · C$10k
- C$10k–50k3 grants · C$98k
- C$50k–250k6 grants · C$595k
- C$250k+1 grant · C$1.3M
| Recipient | Amount |
|---|---|
| EVERGREEN | C$1,250,000 |
| TAPESTRY OPERA | C$165,000 |
| ESPRIT ORCHESTRA | C$150,000 |
| TORONTO BOTANICAL GARDEN | C$100,000 |
| THE ROYAL CONSERVATORY | C$80,000 |
| CROW'S THEATRE / STREETCAR CROWSNEST | C$50,000 |
| WHY NOT THEATRE | C$50,000 |
| BRANKSOME HALL FOUNDATION | C$37,500 |
| ART GALLERY OF ONTARIO | C$35,000 |
| ST. MICHAEL'S HOSPITAL FOUNDATION | C$25,000 |
| DYSLEXIA CANADA | C$5,000 |
| LUMINATO FESTIVAL TORONTO | C$5,000 |
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
4 repeat relationships — 2 still active in FY2024, 2 since wound down; 10 grantees were first funded in FY2024 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2024, 10% of grant dollars renewed an existing relationship; C$1.8M went to new ones.
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.”
Backed again, and grew
- PTPATHWAYS TO EDUCATION CANADA2× · 2022–2023 · C$100k · revenue +17%
- TSTHE STEPHEN LEACOCK FOUNDATION FOR CHILDREN2× · 2022–2023 · C$100k · revenue +39%
- AGART GALLERY OF ONTARIO2× · 2023–2024 · C$60k · revenue +9%
Funded once
- TGTHE GEORGE HULL CENTRE FOUNDATIONgraduatedone grant, 2023 · C$100k · revenue +48%
- TCTHE CREEMORE COMMUNITY FOUNDATIONone grant, 2023 · C$60k · revenue -44%
- SMSANCTUARY MINISTRIES OF TORONTOgraduatedone grant, 2023 · C$25k · revenue +27%
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent CRA filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matches that aren’t grantees — a resemblance in what they say they do, not a recommendation.
Toronto Dance Theatre (TDT) is a professional contemporary dance company dedicated to the research creation and production of original Canadian choreography. TDT bridges connections between artists and audiences in Toronto and beyond…
The Siminovitch Prize Foundation celebrates inspires convenes and connects theatre artists on a national stage across disciplines geography and language groups. Its portfolio of programs helps groundbreaking artists thrive creatively and…
Provides finanical support to artists and arts organizations in toronto. offers awards ad commissions recognizing artistic excellence. administers donor-directed funds and special initiatives supporting public engagement artist recognition…
Youth theatre and professional theatre training programs, summer courses for adults and youth, professional development seminars, annual festival, showcases for emerging artists, and workshops for community theatres.
Theatre gargantua is one of canada's leading multi-disciplinary theatre companies. each year we develop original canadian work through a collaborative ensemble-based process. our productions undergo rigorous phases of development and we…
Produce mainstage musicals and digital concerts enriching the toronto arts scene. - offer ticket subsidies for students. - provide workshops to students at the performances and educational study guides. - offer a free training program for…
Develop produce and present canadian plays thereby supporting and nourishing the canadian theatre scene playwrights and actors with a focus on supporting artists from diverse communities - provide artists support through development…
The Mozart Project is a nationally recognized charitable organization inspired by the universality accessibility diversity and beauty of Mozart’s vast repertoire. The Mozart Project operates the Toronto Mozart Players a professional…
Museum is an evolving collection of diverse stories histories and programs. our work is about growing a comprehensive archive of toronto that explores how we live in toronto past present and future. we are about meaningful exchange that…
Tarrgon theater creates develops and produces new canadian theatre that illuminates the diversity and complexsity of the conteporary human experence. tarragon trains and supports new generation emerging and established artist theorug…
Toronto-based performing arts company committed to ensemble collaborations through its work with guest artists, sponsors and the community.
Canadian stage produces and presents a series of contemporary performance productions at the bluma appel theatre and the berkeley street theatre. in addition the company producers shakespearean plays every summer in high park on a…
For reference, the grantee most central to the portfolio’s shape is Toronto Festival of Arts Culture and Creativity and the most unlike its peers is Lifted Literacy and Leadership. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
17 grantees tracked through their own filings, 2017–2024.
Each one resolved to its own CRA returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2024, not grant rows in a single year — so this will not match the grant count on the cover.
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds EVERGREEN ↗
- Who funds TAPESTRY OPERA ↗
- Who funds ESPRIT ORCHESTRA ↗
- Who funds PATHWAYS TO EDUCATION CANADA ↗
- Who funds THE STEPHEN LEACOCK FOUNDATION FOR CHILDREN ↗
- Who funds THE GEORGE HULL CENTRE FOUNDATION ↗
- Who funds TORONTO BOTANICAL GARDEN ↗
- Who funds THE ROYAL CONSERVATORY ↗
- Who funds THE CREEMORE COMMUNITY FOUNDATION ↗
- Who funds ART GALLERY OF ONTARIO ↗
- Who funds WHY NOT THEATRE ↗
- Who funds CROW'S THEATRE / STREETCAR CROWSNEST ↗
- Who funds BRANKSOME HALL FOUNDATION ↗
- Who funds ST. MICHAEL'S HOSPITAL FOUNDATION ↗
- Who funds SANCTUARY MINISTRIES OF TORONTO ↗
- Who funds LUMINATO FESTIVAL TORONTO ↗
- Who funds DYSLEXIA CANADA ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: Toronto Foundation · BenefAction Foundation · Charitable Gift Funds Canada Foundation / Fonds de Bienfaisance Canada · The McLean Foundation · Canada Gives · Marilyn and Charles Baillie Family Foundation · Judy and Wilmot Matthews Foundation · Hal Jackman Foundation · S M Blair Family Foundation · Aqueduct Foundation · The George Cedric Metcalf Charitable Foundation · Ontario Arts Foundation/Fondation Des Arts de L'Ontario
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.