Toronto, ON · Private foundation
Peter Wood Family Foundation
Support of performing arts recovery oriented mental health and various other charitable organizations through donations to qualified donees.
Where the money goes
Your grants by size, and where they go.
| Recipient | Amount |
|---|---|
| National Ballet | C$5,000 |
| Justice Centre for Constitutional Freedoms | C$3,000 |
| AGO | C$2,500 |
| CNIB | C$2,000 |
| Upper Canada College | C$1,500 |
| PAIS | C$1,500 |
| TSO | C$1,500 |
| Blessed Sacrement | C$1,000 |
| Cycle Toronto | C$1,000 |
| Strings Attached | C$1,000 |
| Branksome | C$1,000 |
| Urban Squash | C$1,000 |
| Christ Church | C$1,000 |
| Friends of Algonquin Park | C$500 |
| Canoe Museum | C$500 |
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
7 repeat relationships — 6 still active in FY2024, 1 since wound down; 9 grantees were first funded in FY2024 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2024, 46% of grant dollars renewed an existing relationship; C$13k went to new ones.
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.”
Backed again, and grew
- CSCANADIAN STAGE6× · 2017–2022 · C$71k · revenue +13%
- NBNATIONAL BALLET5× · 2017–2024 · C$19k · revenue +129%
- PPAIS4× · 2019–2024 · C$6k · revenue +135%
Funded once
- NBNational Ballet of Canadaone grant, 2018 · C$3k · revenue +12%
- CTCROWES THEATREgraduatedone grant, 2021 · C$3k · revenue +170%
- NYNORTH YORK SYMPHONY ORCHESTRAgraduatedone grant, 2022 · C$2k · revenue +55%
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent CRA filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matches that aren’t grantees — a resemblance in what they say they do, not a recommendation.
Toronto Dance Theatre (TDT) is a professional contemporary dance company dedicated to the research creation and production of original Canadian choreography. TDT bridges connections between artists and audiences in Toronto and beyond…
The festival operating under the trade name Luminato presents an annual multi-disciplinary arts festival in Toronto each June. We present both free and ticketed events in theatre classical and contemporary music dance and visual arts by…
Orchestra Toronto is a volunteer based community orchestra. The aim of the organization is to entertain and encourage the appreciation of symphonic music in the Greater Toronto Area through performances which achieve the highest musical…
Why not theatre is an agile international theatre company based in toronto canada rooted in the values of innovation community and collaboration. our work is inventive cross-cultural and reflects our passion for the exploration of…
Produce mainstage musicals and digital concerts enriching the toronto arts scene. - offer ticket subsidies for students. - provide workshops to students at the performances and educational study guides. - offer a free training program for…
Youth theatre and professional theatre training programs, summer courses for adults and youth, professional development seminars, annual festival, showcases for emerging artists, and workshops for community theatres.
University of toronto schools (uts) is a university preparatory school grade 7-12 affiliated with the university of toronto (u of t). uts offers high achieving students a specialized curriculum and a unique co-educational learning…
The mandate of the Canadian Opera House Corporation is to manage the Four Seasons Centre for the Performing Arts.
Music toronto produces a main fall-winter series of traditional and contemporary chamber music concerts and recitals including international and canadian artists. we produce a mini series called celebration of small ensembles 'cose' that…
The Mozart Project is a nationally recognized charitable organization inspired by the universality accessibility diversity and beauty of Mozart’s vast repertoire. The Mozart Project operates the Toronto Mozart Players a professional…
Theatre gargantua is one of canada's leading multi-disciplinary theatre companies. each year we develop original canadian work through a collaborative ensemble-based process. our productions undergo rigorous phases of development and we…
Opened in 1914 the royal ontario museum showcases art culture and nature from around the world and across the ages. among the top 10 cultural institutions in north america canada's largest and most comprehensive museum is home to a…
For reference, the grantee most central to the portfolio’s shape is The Canadian Stage Corporation and the most unlike its peers is Branksome Hall. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
20 grantees tracked through their own filings, 2017–2024.
Each one resolved to its own CRA returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2024, not grant rows in a single year — so this will not match the grant count on the cover. 20 of the 21 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds CANADIAN STAGE ↗
- Who funds NATIONAL BALLET ↗
- Who funds PAIS ↗
- Who funds Christ Church Deer Park ↗
- Who funds National Ballet of Canada ↗
- Who funds TORONTO SYMPHONY ORCHESTRA ↗
- Who funds Justice Centre for Constitutional Freedoms ↗
- Who funds CROWES THEATRE ↗
- Who funds AGO ↗
- Who funds NORTH YORK SYMPHONY ORCHESTRA ↗
- Who funds URBAN SQUASH ↗
- Who funds BRANKSOME SCHOOL ↗
- Who funds CNIB ↗
- Who funds Upper Canada College ↗
- Who funds Cycle Toronto ↗
- Who funds Blessed Sacrement ↗
- Who funds Strings Attached ↗
- Who funds Friends of Algonquin Park ↗
- Who funds Canoe Museum ↗
- Who funds CANADIAN MENTAL HEALTH ASSOCIATION ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: Toronto Foundation · BenefAction Foundation · Aqueduct Foundation · The Marion Armstrong Charitable Foundation · The Dalglish Family Foundation · Flavelle Family Foundation · Charities Aid Foundation Canada · R. Howard Webster Foundation / Fondation R. Howard Webster · Private Giving Foundation · Link Charity Canada Inc · Giftpact Foundation Inc. · Conam Charitable Foundation
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.