Montreal, QC · Public foundation
Fondation evenko pour le talent émergent
Iniative de 'Concerts avec nos écoles' qui consiste à remettre des instruments de musique aux écoles du Québec en vue d'encourager les jeunes à pratiquer les arts de la scène
Where the money goes
Your grants by size, and where they go.
| Recipient | Amount |
|---|---|
| Individual grant recipient | C$10,000 |
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
And the relationships you keep tend to grow: grantees you re-up on have seen median revenue of +106% since the first grant, against +74% for the ones you funded once.
5 repeat relationships — 1 still active in FY2020, 4 since wound down.
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2020, 100% of grant dollars renewed an existing relationship; C$0 went to new ones.
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.”
Backed again, and grew
- RRIASQ3× · 2017–2019 · C$198k · revenue +65%
- ÉNÉCOLE NATIONALE DE L'HUMOUR3× · 2017–2019 · C$64k · revenue +74%
- OOXY-JEUNES2× · 2018–2019 · C$62k · revenue +106%
Funded once
- OSOrchestre Symphonique de Montréalone grant, 2017 · C$30k · revenue +22%
- O(OSM (LA MUSIQUE AUX ENFANTS)graduatedone grant, 2018 · C$30k · revenue +332%
- CDCARREFOUR DES 6-12 ANS DE PIERREFONDSone grant, 2017 · C$26k · revenue -21%
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent CRA filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matches that aren’t grantees — a resemblance in what they say they do, not a recommendation.
Créer produire et diffuser des oeuvres chorégraphiques
Cours de théâtres et spectacles
Créations médiation représentations de spectacles pour le jeune public et ateliers d'écriture
Diffusion culturelle pour le jeunes publics de 4 à 12 ans. Volet pédagogique : activités préparatoires en classe et ateliers de diverses disciplines artistiques.
Activités musicales (70%) Sautien aux écoles et à l'enseignement (20%) Camp d'été (10%)
Production de concerts de musique traditionnelle et contemporaine. promouvoir la musique contemporaine chez les jeunes compositeurs canadiens.
Théâtre Forum (mise en scène des réalités connues ou le public peut intervenir) Formation/Consultations avec différents partenaires
Production et présentation de pièces de théâtre à la place des arts
Concerts de musique classique concert bénéfice concert de festival
Enseignement de cours spécialisés pour une clientèle âgée de 9 à 30 ans. enseignement de cours récréatifs à des enfants de 9 à 16 ans ainsi qu'à des adultes. participons à divers événements
1-L’organisme a offert des services d’éducation dans le domaine des techniques des métiers de la scène à des jeunes adultes en difficultés âgés de 18 à 35 ans habitants Montréal et ses environs. 2-L’organisme a organisé des cours des…
Productions théâtrales
For reference, the grantee most central to the portfolio’s shape is Oxy-Jeunes Inc. and the most unlike its peers is Board of Governors of the Banff Centre. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
20 grantees tracked through their own filings, 2017–2024.
Each one resolved to its own CRA returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2024, not grant rows in a single year — so this will not match the grant count on the cover. 20 of the 24 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds RIASQ ↗
- Who funds ÉCOLE NATIONALE DE L'HUMOUR ↗
- Who funds OXY-JEUNES ↗
- Who funds Orchestre Symphonique de Montréal ↗
- Who funds OSM (LA MUSIQUE AUX ENFANTS) ↗
- Who funds CARREFOUR DES 6-12 ANS DE PIERREFONDS ↗
- Who funds PARTAGEONS L'ESPOIR ↗
- Who funds The BANFF Centre ↗
- Who funds LES MUSES: CENTRE DES ARTS DE LA ↗
- Who funds MAISON DES ENFANTS MARIE-ROSE ↗
- Who funds FONDATION DU COLLEGE DE VALLEYFIELD ↗
- Who funds FACULTY OF FINE ARTS, CONCORDIA UNIVERSITY ↗
- Who funds MAISON KEKPART DE LONGUEUIL ↗
- Who funds CENTRE DE PÉDIATRIE SOCIALE DE LAVAL ↗
- Who funds ESPACE LIBRE ↗
- Who funds REGROUPEMENT POUR LA TRISOMIE 21 ↗
- Who funds RENCONTRE THÉÂTRE ADOS ↗
- Who funds CENTRE DE PEDIATRIE SOCIALE DE LA HAUTE-GASPESIE ↗
- Who funds PARTAGEONS L'ESPOIR ↗
- Who funds IMAGO THEATRE ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: La Fondation du Grand Montréal - The Foundation of Greater Montreal · Fondation J.A. Deseve · La fondation Jacques Francoeur · Fondation de la famille Zeller · Fondation Famille Godin - Godin Family Foundation · Fondation Sibylla Hesse · The Azrieli Foundation/La Fondation Azrieli · Jewish Community Foundation of Montreal / La Fondation Communautaire Juive de Montréal · The Cole foundation/La Fondation Cole · Fondation Sandra et Alain Bouchard · Canada Post Community Foundation/Fondation Communautaire de Postes Canada · Centraide Du Grand Montréal
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.